The History Podcast
- Episodios
- 136
- Formato
- Serie: escúchala desde el principio
- Último episodio
- 19 Oct 2026
Sobre el podcast
For a century, Harry Houdini has been safely filed away in the public imagination as a nostalgic variety act: a man in monochrome film escaping handcuffs, water tanks, and straightjackets.
This series smashes that myth.
Hosted by “psychological illusionist” Derren Brown, How Houdini Made Magic reframes a penniless immigrant refugee named Erik Weisz as a prophetic, hyper-modern visionary. Long before the birth of Silicon Valley, modern political spin rooms, or algorithmic social media, Houdini cracked the code of modern fame. He didn't just escape physical boxes; he manipulated suspense, pioneered viral guerrilla marketing, employed the legal system to protect his brand, and mastered the dark arts of post-truth media. He created magic in far more ways than you think.
Against a backdrop of vaudeville and societal revolution, Derren explores the lesser-known identities of a magician who continues to inspire him and countless other magicians: Houdini as an advertising guru, a new media innovator, a sceptic… a spy?
We’ll come to realise that today’s world actually closely mirrors the ‘sepia-tinted’ world Houdini operated in: a time of rapid industrialisation, intense social change, massive wealth inequality, widespread social activism, global conflict, cultural revolutions, and immense technological advancement. We are living in an attention economy running on the exact behavioural hacks, artificial friction, and narrative illusions engineered by Harry Houdini over a century ago.
Episodios 136
How Houdini Made Magic: 5. Protect your brand
When an authoritarian empire threatens to brand you a fraud and destroy your legacy, how do you fight back?Derren Brown explores the high-stakes legal battles that helped cement Houdini’s European …
Notas del episodio
When an authoritarian empire threatens to brand you a fraud and destroy your legacy, how do you fight back?
Derren Brown explores the high-stakes legal battles that helped cement Houdini’s European triumph.
Arriving in a hostile Berlin where the Imperial police aggressively censored entertainment, Houdini accepted the ultimate challenge, stripping naked before 300 officers to free himself from German restraints. But when a bitter policeman accused him of cheating and bribery, Houdini did the unthinkable: he sued for slander, turning the highest court in the German Empire into the ultimate theatrical stage.
Houdini brilliantly weaponised the legal system, orchestrating PR campaigns and dramatic courtroom victories that he transformed into powerful marketing posters.
Then, with his success on the rise, he faced a new threat: copycat acts. Again, Houdini used ingenious legal tactics to protect his brand in a distinctly modern approach.
Presenter: Derren Brown Writer/Producer: Calum McCrae Additional research: Alice Homewood Sound designer: David Crackles Executive producer: Sophie Ellis Commissioning Executive: Tracy Williams Commissioning Editor: Daniel Clarke
A Strawberry Blond production for BBC Sounds and Radio 4
How Houdini Made Magic: 4. Advertise
Houdini had made it big in America. At the very start of the 20th century, however, the pinnacle for performers was not the fledgling States, but Europe. So Houdini boarded a ship to London, where he learned …
Notas del episodio
Houdini had made it big in America. At the very start of the 20th century, however, the pinnacle for performers was not the fledgling States, but Europe. So Houdini boarded a ship to London, where he learned how to make noise.
Derren Brown explores the brilliant promotional playbook that set Houdini miles ahead of his contemporaries. Stepping off the boat in London and charming the sceptics at Scotland Yard and the Alhambra Theatre, Houdini quickly realised that the secret to superstardom wasn't just the escape; it was the advertising.
We hear about the outrageous stunts that got the world talking: from engineered rivalries on opening night and lines of bald men spelling his name down Parisian boulevards, to ingenious brand partnerships with local businesses and breweries.
While brilliant technical assistants pioneered new tricks behind the scenes, Houdini’s entrepreneurial genius proved his greatest strength in the battle for attention.
Presenter: Derren Brown Writer/Producer: Calum McCrae Additional research: Alice Homewood Sound designer: David Crackles Executive producer: Sophie Ellis Commissioning Executive: Tracy Williams Commissioning Editor: Daniel Clarke
A Strawberry Blond production for BBC Sounds and Radio 4
How Houdini Made Magic: 3. Know your audience
Houdini almost gave up on the act that would make him a star: the handcuff escape. But with his wife’s encouragement, he persisted. And it paid off. Join Derren Brown as we learn how Houdini went from a …
Notas del episodio
Houdini almost gave up on the act that would make him a star: the handcuff escape. But with his wife’s encouragement, he persisted. And it paid off.
Join Derren Brown as we learn how Houdini went from a sideshow hustler to the big time.
In 1899, Martin Beck, a Vaudeville booker, stumbled into a beer hall in St Paul, Minnesota, and changed Houdini’s life. He thought Houdini’s handcuff escape act was uniquely interesting and offered him a run of shows.
Houdini grasped the opportunity with both hands. As his understanding of what his audiences desired increased, so too did his star rise. He became a Vaudeville star.
Presenter: Derren Brown Writer/Producer: Calum McCrae Additional research: Alice Homewood Sound designer: David Crackles Executive producer: Sophie Ellis Commissioning Executive: Tracy Williams Commissioning Editor: Daniel Clarke A Strawberry Blond production for BBC Sounds and Radio 4
How Houdini Made Magic: 2. Find your voice
In the late 19th Century, a young Hungarian immigrant called Eric Weisz chose magic as the means to provide for his ageing mother. He found inspiration in the form of a memoir, and his identity morphed: young …
Notas del episodio
In the late 19th Century, a young Hungarian immigrant called Eric Weisz chose magic as the means to provide for his ageing mother. He found inspiration in the form of a memoir, and his identity morphed: young Eric became Harry Houdini, and a legend was born.
But legendary status only came later. And it required persistence to achieve it. Because cutting through the cutthroat magic scene of the time proved tricky. Alongside a rotating cast of magical sidekicks, Houdini tried his hand at card tricks, comedy and even became a fraudulent spirit medium for a short while.
With these acts, he scraped by in dime museums, circuses, and medicine shows. But it was his bigger stunts that finally got the attention he craved, though. One trick he pioneered during his teenage years would go on to form part of his act for the rest of his life.
Join Derren Brown as he explores the ups and downs of a performer dead set on finding his voice and making it big as he first dabbles with the idea of escape.
Presenter: Derren Brown Writer/Producer: Calum McCrae Additional research: Alice Homewood Sound designer: David Crackles Executive producer: Sophie Ellis Commissioning Executive: Tracy Williams Commissioning Editor: Daniel Clarke Original music: The Inner Me - Epilogue (Rosie, sweet Rosabel)
A Strawberry Blond production for BBC Sounds and Radio 4
How Houdini Made Magic: 1. Find your motivation
One hundred years after his death, how did an ordinary immigrant child transform himself into the most famous magician in history? In episode one of How Houdini Made Magic, psychological illusionist Derren …
Notas del episodio
One hundred years after his death, how did an ordinary immigrant child transform himself into the most famous magician in history?
In episode one of How Houdini Made Magic, psychological illusionist Derren Brown traces the early life of Eric Weisz.
In 1878, Eric’s family voyaged from Budapest to the American promised land of Appleton, Wisconsin. What awaited him was the unforgiving Gilded Age America. But Eric turned hardship and personal tragedy into a motivation that would become the driving force of his life: to keep his ageing mother comfortable.
Presenter: Derren Brown Writer/Producer: Calum McCrae Additional research: Alice Homewood Sound designer: David Crackles Executive producer: Sophie Ellis Commissioning Executive: Tracy Williams Commissioning Editor: Daniel Clarke
A Strawberry Blond production for BBC Sounds and Radio 4
How Houdini Made Magic: Trailer
For a century, Harry Houdini has been safely filed away in the public imagination as a nostalgic variety act: a man in monochrome film escaping handcuffs, water tanks, and straightjackets. This series smashes …
Notas del episodio
For a century, Harry Houdini has been safely filed away in the public imagination as a nostalgic variety act: a man in monochrome film escaping handcuffs, water tanks, and straightjackets. This series smashes that myth. Hosted by “psychological illusionist” Derren Brown, How Houdini Made Magic reframes a penniless immigrant refugee named Erik Weisz as a prophetic, hyper-modern visionary. Long before the birth of Silicon Valley, modern political spin rooms, or algorithmic social media, Houdini cracked the code of modern fame. He didn't just escape physical boxes; he manipulated suspense, pioneered viral guerrilla marketing, employed the legal system to protect his brand, and mastered the dark arts of post-truth media. He created magic in far more ways than you think. Against a backdrop of vaudeville and societal revolution, Derren explores the lesser-known identities of a magician who continues to inspire him and countless other magicians: Houdini as an advertising guru, a new media innovator, a sceptic… a spy? We’ll come to realise that today’s world actually closely mirrors the ‘sepia-tinted’ world Houdini operated in: a time of rapid industrialisation, intense social change, massive wealth inequality, widespread social activism, global conflict, cultural revolutions, and immense technological advancement. We are living in an attention economy running on the exact behavioural hacks, artificial friction, and narrative illusions engineered by Harry Houdini over a century ago.
The Hitler Diaries Scandal: 10. Downfall
Andrew Hunter Murray tracks down Hitler’s faked diaries to the Bundesarchiv – the Federal Archive – in Koblenz. How did these slim A4 notebooks cause such enormous trouble? But the archivists have one more …
Notas del episodio
Andrew Hunter Murray tracks down Hitler’s faked diaries to the Bundesarchiv – the Federal Archive – in Koblenz. How did these slim A4 notebooks cause such enormous trouble? But the archivists have one more surprise in store. After all these years, are we any closer to understanding the motivation behind this forgery? Was it purely financial, or was it - as some say - a deliberate effort to rehabilitate Hitler? And what does the whole story tell us about our willingness to let ourselves be deceived? Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations. It’s a tale of greed, obsession and mass delusion. It includes Hermann Göring’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words.
Andrew interviews the people who were there as the diaries were announced to the world, and as the story fell apart - the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional documentary for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material.
In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last 50 years?
Gerd Heidemann tapes part of the Gerd Heidemann collection, Hoover Institute, copyright Stanford University.
Presenter: Andrew Hunter Murray Producer: Ruth Abrahams Story Editor: Andrew Dickson Sound Design: Joel Cox Mix Engineer: Nigel Appleton Executive Producers: David Prest and Robert Nicholson Commissioning Editor: Dan Clarke
A Whistledown production for BBC Sounds and Radio 4
The Hitler Diaries Scandal: 9. The Trial
It’s May 1983, and everything is falling apart for Gerd Heidemann. Now the heat is on forger Konrad Kujau too. How long can he stay incognito? Millions of Deutschmarks are unaccounted for, reputations lie in …
Notas del episodio
It’s May 1983, and everything is falling apart for Gerd Heidemann. Now the heat is on forger Konrad Kujau too. How long can he stay incognito? Millions of Deutschmarks are unaccounted for, reputations lie in tatters. Who will take the blame? Who will fall? And why does the world of Nazi memorabilia hold such fascination for collectors inside Germany and across the world? Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations. It’s a tale of greed, obsession and mass delusion. It includes Hermann Göring’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words.
Andrew interviews the people who were there as the diaries were announced to the world, and as the story fell apart - the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional documentary for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material.
In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last 50 years?
Gerd Heidemann tapes part of the Gerd Heidemann collection, Hoover Institute, copyright Stanford University.
Presenter: Andrew Hunter Murray Producer: Ruth Abrahams Story Editor: Andrew Dickson Sound Design: Joel Cox Mix Engineer: Nigel Appleton Executive Producers: David Prest and Robert Nicholson Commissioning Editor: Dan Clarke
A Whistledown production for BBC Sounds and Radio 4
The Hitler Diaries Scandal: 8. Bunker Mentality
Stern’s editorial and management team dig in, sticking by their story and their journalist Gerd Heidemann. Hugh Trevor-Roper returns to Cambridge shaken, hiding away in the master’s lodge at Peterhouse …
Notas del episodio
Stern’s editorial and management team dig in, sticking by their story and their journalist Gerd Heidemann. Hugh Trevor-Roper returns to Cambridge shaken, hiding away in the master’s lodge at Peterhouse. Meanwhile, Dr Josef Henke of the Federal archives gets to work – finally with whole volumes of diaries. At last he can run the proper checks and read the text. What kind of Hitler emerges from the pages? Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations. It’s a tale of greed, obsession and mass delusion. It includes Hermann Göring’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words.
Andrew interviews the people who were there as the diaries were announced to the world, and as the story fell apart - the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional documentary for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material.
In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last 50 years?
Gerd Heidemann tapes part of the Gerd Heidemann collection, Hoover Institute, copyright Stanford University.
Presenter: Andrew Hunter Murray Producer: Ruth Abrahams Story Editor: Andrew Dickson Sound Design: Joel Cox Mix Engineer: Nigel Appleton Executive Producers: David Prest and Robert Nicholson Commissioning Editor: Dan Clarke
A Whistledown production for BBC Sounds and Radio 4
The Hitler Diaries Scandal: 7. An Opera Set for Hell
It’s Monday, 25 April 1983, the day of the big press conference at Stern’s offices in Hamburg. The world’s media is assembled, awaiting the ‘scoop of the century’. The room is packed and Stern’s team, along …
Notas del episodio
It’s Monday, 25 April 1983, the day of the big press conference at Stern’s offices in Hamburg. The world’s media is assembled, awaiting the ‘scoop of the century’. The room is packed and Stern’s team, along with British historian Hugh Trevor-Roper, are ready to reveal the diaries. History looks set to be rewritten. But not everyone is convinced. In fact, the key authenticator is having doubts and there’s an intervention from the back of the room. Is this coup collapsing before Stern’s eyes? Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations. It’s a tale of greed, obsession and mass delusion. It includes Hermann Göring’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words.
Andrew interviews the people who were there as the diaries were announced to the world, and as the story fell apart - the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional documentary for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material.
In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last 50 years?
Gerd Heidemann tapes part of the Gerd Heidemann collection, Hoover Institute, copyright Stanford University.
Presenter: Andrew Hunter Murray Producer: Ruth Abrahams Story Editor: Andrew Dickson Sound Design: Joel Cox Mix Engineer: Nigel Appleton Executive Producers: David Prest and Robert Nicholson Commissioning Editor: Dan Clarke
A Whistledown production for BBC Sounds and Radio 4
The Hitler Diaries Scandal: 6. Final Proofs
It’s April 1983 and in Hamburg, Stern is just putting the final touches to its coverage and its promotional film. But for TV producer Barbara Dickmann, something seems very off with her final interviewee – the …
Notas del episodio
It’s April 1983 and in Hamburg, Stern is just putting the final touches to its coverage and its promotional film. But for TV producer Barbara Dickmann, something seems very off with her final interviewee – the journalist behind the scoop, Gerd Heidemann. Over in the Sunday Times offices in London, features editor Magnus Linklater is getting pulled onto the biggest story of his life. In Koblenz, West Germany, Dr Josef Henke finally gets the police results from the forensic tests which will prove whether the Hitler diaries are real or not. And back in Cambridge, historian Hugh Trevor-Roper is having second thoughts about his seal of approval. Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations. It’s a tale of greed, obsession and mass delusion. It includes Hermann Göring’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words.
Andrew interviews the people who were there as the diaries were announced to the world, and as the story fell apart - the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional documentary for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material.
In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last 50 years?
Gerd Heidemann tapes part of the Gerd Heidemann collection, Hoover Institute, copyright Stanford University.
Presenter: Andrew Hunter Murray Producer: Ruth Abrahams Story Editor: Andrew Dickson Sound Design: Joel Cox Mix Engineer: Nigel Appleton Executive Producers: David Prest and Robert Nicholson Commissioning Editor: Dan Clarke
A Whistledown production for BBC Sounds and Radio 4
The Hitler Diaries Scandal: 5. Money for Old Roper
It’s spring 1983 and Stern magazine’s inner circle is making frenzied preparations to launch its scoop of the century. Deals are being cut in media empires from London to Paris to New York.The Times and Sunday …
Notas del episodio
It’s spring 1983 and Stern magazine’s inner circle is making frenzied preparations to launch its scoop of the century. Deals are being cut in media empires from London to Paris to New York.
The Times and Sunday Times, newly acquired by Rupert Murdoch, are keen. Murdoch wants a quick authentication and calls in Britain’s foremost historian, Hugh Trevor-Roper.
He accepts the mission and flies out to Zurich where the diaries are now locked away in a bank vault. Trevor-Roper has just a few hours to make his judgement.
Meanwhile, TV journalist, Barbara Dickmann, has been commissioned by Stern to make a promotional film starring Gerd Heidemann about his big find.
Dickmann is taken around the homes of old Nazis where Heidemann receives a warm welcome. Even more alarmingly, he starts telling Dickmann that he’s on speaking terms with a senior Nazi who died in 1945.
Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations. It’s a tale of greed, obsession and mass delusion. It includes Hermann Göring’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words.
Andrew interviews the people who were there as the diaries were announced to the world, and as the story fell apart - the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional documentary for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material.
In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last 50 years?
Gerd Heidemann tapes part of the Gerd Heidemann collection, Hoover Institute, copyright Stanford University.
Presenter: Andrew Hunter Murray Producer: Ruth Abrahams Story Editor: Andrew Dickson Sound Design: Joel Cox Mix Engineer: Nigel Appleton Executive Producers: David Prest and Robert Nicholson Commissioning Editor: Dan Clarke
A Whistledown production for BBC Sounds and Radio 4
The Hitler Diaries Scandal: 4. Fried Potatoes and Forgery
It’s early 1981 and the forger Konrad Kujau and the journalist Gerd Heidemann are about to come face to face. Everything’s in motion - Stern management and a small team of editorial staff are on board, sworn to …
Notas del episodio
It’s early 1981 and the forger Konrad Kujau and the journalist Gerd Heidemann are about to come face to face. Everything’s in motion - Stern management and a small team of editorial staff are on board, sworn to secrecy from colleagues and the outside world.
In the next few months, millions of Deutschmarks will travel in suitcases in exchange for diaries, which are – so Kujau says – being smuggled across the iron curtain, from East to West Germany.
Despite Stern’s best efforts, by late 1982, rumours are circulating among memorabilia collectors that significant previously unseen Nazi documents have come to light. The Sunday Times gets a call.
Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations. It’s a tale of greed, obsession and mass delusion. It includes Hermann Göring’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words.
Andrew interviews the people who were there as the diaries were announced to the world, and as the story fell apart - the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional documentary for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material.
In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last 50 years?
Gerd Heidemann tapes part of the Gerd Heidemann collection, Hoover Institute, copyright Stanford University.
Presenter: Andrew Hunter Murray Producer: Ruth Abrahams Story Editor: Andrew Dickson Sound Design: Joel Cox Mix Engineer: Nigel Appleton Executive Producers: David Prest and Robert Nicholson Commissioning Editor: Dan Clarke
A Whistledown production for BBC Sounds and Radio 4
The Hitler Diaries Scandal: 3. Champagne Connie
Andrew Hunter Murray travels to the scene of the crime, just outside Stuttgart, from where the forger Konrad Kujau ran his cottage industry.Who was this man, prone to splash the cash in local bars and have a …
Notas del episodio
Andrew Hunter Murray travels to the scene of the crime, just outside Stuttgart, from where the forger Konrad Kujau ran his cottage industry.
Who was this man, prone to splash the cash in local bars and have a good time while knocking out forgeries? Curator of the Konrad Kujau museum, Marc Oliver Boger, reveals more.
Our story takes us to 1980 in Hamburg, where the Stern journalist Gerd Heidemann is down on his luck. He has serious money problems, sinking thousands into maintaining Göring’s old yacht and still nothing to show for it. Lucky for him that a huge story is about to become tantalisingly close. All he needs is to persuade his magazine, Stern.
Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations. It’s a tale of greed, obsession and mass delusion. It includes Hermann Göring’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words.
Andrew interviews the people who were there as the diaries were announced to the world, and as the story fell apart - the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional documentary for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material.
In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last 50 years?
Gerd Heidemann tapes part of the Gerd Heidemann collection, Hoover Institute, copyright Stanford University.
Presenter: Andrew Hunter Murray Producer: Ruth Abrahams Story Editor: Andrew Dickson Sound Design: Joel Cox Mix Engineer: Nigel Appleton Executive Producers: David Prest and Robert Nicholson Commissioning Editor: Dan Clarke
A Whistledown production for BBC Sounds and Radio 4
The Hitler Diaries Scandal: 2. The Bloodhound
It’s 1976, Hamburg, and star reporter for Stern magazine, Gerd Heidemann, is entertaining old Nazis on board his boat – formerly Herman Göring’s yacht, the Carin II.Known for his dogged pursuit of a scoop …
Notas del episodio
It’s 1976, Hamburg, and star reporter for Stern magazine, Gerd Heidemann, is entertaining old Nazis on board his boat – formerly Herman Göring’s yacht, the Carin II.
Known for his dogged pursuit of a scoop, Heidemann’s patch is slowly but surely shifting from war reporting to gathering old Nazi tales. He’s getting obsessed.
One of his contacts links him up with a memorabilia collector in the south of Germany who has something interesting to show the journalist - the never-before-seen diary of Adolf Hitler. Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations. It’s a tale of greed, obsession and mass delusion. It includes Hermann Göring’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words.
Andrew interviews the people who were there as the diaries were announced to the world, and as the story fell apart - the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional documentary for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material.
In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last 50 years?
Gerd Heidemann tapes part of the Gerd Heidemann collection, Hoover Institute, copyright Stanford University.
Presenter: Andrew Hunter Murray Producer: Ruth Abrahams Story Editor: Andrew Dickson Sound Design: Joel Cox Mix Engineer: Nigel Appleton Executive Producers: David Prest and Robert Nicholson Commissioning Editor: Dan Clarke
A Whistledown production for BBC Sounds and Radio 4
The Hitler Diaries Scandal: 1. The Crash
On 21 April, 1945, in the hamlet of Börnersdorf, Eastern Germany, a Junkers plane plummets from the sky. It crashes and bursts into flames. A few iron boxes are salvaged from the wreckage. Rumour spreads that …
Notas del episodio
On 21 April, 1945, in the hamlet of Börnersdorf, Eastern Germany, a Junkers plane plummets from the sky. It crashes and bursts into flames. A few iron boxes are salvaged from the wreckage. Rumour spreads that Hitler’s personal effects are in those boxes. Could there have been diaries?
In the decades that follow, a trade in Nazi memorabilia springs up where genuine documents and fakes cross hands, making dealers big money in a murky underworld. Konrad Kujau, in the south of Germany, has carved out a lucrative niche in this world, embellishing objects with forged certificates and documents. In the late 1970s, he decides it’s time to scale up and try for the ultimate prize – Adolf Hitler’s diary. But will anyone believe it?
Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations. It’s a tale of greed, obsession and mass delusion. It includes Hermann Göring’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words.
Andrew interviews the people who were there as the diaries were announced to the world, and as the story fell apart - the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional documentary for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material.
In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last 50 years?
Gerd Heidemann tapes part of the Gerd Heidemann collection, Hoover Institute, copyright Stanford University.
Presenter: Andrew Hunter Murray Producer: Ruth Abrahams Story Editor: Andrew Dickson Sound Design: Joel Cox Mix Engineer: Nigel Appleton Executive Producers: David Prest and Robert Nicholson Commissioning Editor: Dan Clarke
A Whistledown production for BBC Sounds and Radio 4
The Hitler Diaries Scandal: Trailer
Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations. When Germany’s biggest magazine Stern announced …
Notas del episodio
Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations. When Germany’s biggest magazine Stern announced in 1983 that they’d found the long-lost diaries of Adolf Hitler, authenticated by the eminent British historian Hugh Trevor-Roper, the world was poised to rewrite history. Salvaged from the wreckage of a Junkers plane which had crashed escaping Hitler’s Berlin bunker in the dying days of the war, the diaries had been hidden in a hayloft in East Germany for forty years. And remarkably they had now come to light, smuggled across the border into West Germany at the height of the Cold War. One lone journalist, Gerd Heidemann, known as ‘The Bloodhound’, had tracked them down. It had taken two years of secret missions and millions of Deutschmarks to amass all sixty volumes of Hitler’s personal, handwritten journals. The world was about to find the truth of Adolf Hitler’s mind: what he knew, what motivated him, his intimate reflections as the Third Reich rose and fell. That, at least, was the story – a story which news organisations the world over, including Rupert Murdoch’s newly-acquired Sunday Times, believed. This would be a sensation – assuming, of course, that it was true. It’s a tale of greed, obsession and mass delusion. It includes Hermann Goering’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words. Murray interviews the people who were there as the diaries were announced to the world, and as the story fell apart: the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional doc for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material. Murray’s mission is to track down the actual books which caused all this chaos, and to get as close as he can to the truth. In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last fifty years?
Presenter: Andrew Hunter Murray Producer: Ruth Abrahams
A Whistledown Production for BBC Sounds and Radio 4
Invisible Hands: The American Century: 6. America First!
It’s 1991 in New Hampshire and a cheerfully pugnacious TV pundit and political insider is announcing his campaign for the Republican nomination. His name is Pat Buchanan and what he is about to say will shock …
Notas del episodio
It’s 1991 in New Hampshire and a cheerfully pugnacious TV pundit and political insider is announcing his campaign for the Republican nomination. His name is Pat Buchanan and what he is about to say will shock the room.
Not only does he challenge sitting President George H W Bush, but the entire post-war order, the vision of America that has persisted for the past half century - America at the head of a free world. Instead, Pat Buchanan says, “It will be time for a new foreign policy that looks out for America first, but not only America first, but also America second and third as well.”
This is the story of the idea that governs America’s new vision of its role in the world — America First — and what it really means.
Presenter: David Dimbleby Producer: Redzi Bernard Sound Design: Jeff Emtman Executive Producers: Joe Sykes and Dasha Lisitsina Story Editor: Joe Sykes and Dasha Lisitsina Commissioning Editor: Dan Clarke
A Samizdat Audio production for BBC Radio 4
Invisible Hands: The American Century: 5. Wolfie
A man sits in the Pentagon terrified. The building is shaking. He thinks it’s an Earthquake. In fact it’s 9/11 and this man senses an opportunity. To drag America out of its post Vietnam stupor and re-assert …
Notas del episodio
A man sits in the Pentagon terrified. The building is shaking. He thinks it’s an Earthquake. In fact it’s 9/11 and this man senses an opportunity. To drag America out of its post Vietnam stupor and re-assert itself on the world stage.
The man’s name is Paul Wolfowitz. He’s an academic and political advisor. And he is obsessed with one idea. One idea he thinks will help America become great again. Invading Iraq.
This is the story of how in the early 2000s America re-established itself as the leader of the free world and the decision to fight a war that did more than anything else to burn that image to the ground.
David Dimbleby tells the story of how, in the middle of the 20th century, one country - America - became a superpower and shaped the world around it.
It began with a vision. A vision born out of the ashes of World War Two. A vision of a world shaped not by war but by peace. This vision of America at the head of the free world came to be the defining idea at the center of the past 80 years of world politics. And yet now it is under threat.
So how did we get here? How did America become the leader of the free world and why did it go wrong? It’s a story shaped by people. People you have probably never heard of.
In the 20th Century, these ‘invisible hands’ wrote the story America came to believe about itself. A story of moral leadership leading to prosperity and peace. But is it a story that has run out of steam?
Presenter: David Dimbleby Producer: Redzi Bernard Sound Design: Jeff Emtman Executive Producers: Joe Sykes and Dasha Lisitsina Story Editor: Joe Sykes, Dasha Lisitsina, and Peggy Sutton Commissioning Editor: Dan Clarke
A Samizdat Audio production for BBC Radio 4
Invisible Hands: The American Century: 4. Rolling Thunder
March 1965 Vietnam. American fighter jets are taking off to bomb munitions depot in the North. A few days later, American ground troops arrive in the jungle. They would stay there for almost a decade, dropping …
Notas del episodio
March 1965 Vietnam. American fighter jets are taking off to bomb munitions depot in the North. A few days later, American ground troops arrive in the jungle. They would stay there for almost a decade, dropping more bombs on Vietnam than in all theatres of World War Two. How did this happen?
The answer lies with someone who has evaded the glare of the spotlight. A liberal development theorist called Walt Rostow. A man who started off by advocating to help developing nations become capitalist and who ended up helping to unleash hell on an unsuspecting civilian population of a country on the other side of the world.
This is a story of how idealism can lead to disaster. Of how America went from defender of freedom to bearer of destruction.
David Dimbleby tells the story of how, in the middle of the 20th century, one country - America - became a superpower and shaped the world around it.
It began with a vision. A vision born out of the ashes of World War Two. A vision of a world shaped not by war but by peace. This vision of America at the head of the free world came to be the defining idea at the center of the past 80 years of world politics. And yet now it is under threat.
So how did we get here? How did America become the leader of the free world and why did it go wrong? It’s a story shaped by people. People you have probably never heard of.
In the 20th Century, these ‘invisible hands’ wrote the story America came to believe about itself. A story of moral leadership leading to prosperity and peace. But is it a story that has run out of steam?
Presenter: David Dimbleby Producer: Redzi Bernard Sound Design: Jeff Emtman Executive Producers: Joe Sykes and Dasha Lisitsina Story Editor: Joe Sykes, Dasha Lisitsina, and Peggy Sutton Commissioning Editor: Dan Clarke
A Samizdat Audio production for BBC Radio 4
Invisible Hands: The American Century: 3. Operation Ajax
1953 Tehran. An American diplomat called Kermit Roosevely III rides through the city’s streets on his way to see the Shah of Iran. Although he can’t see anything because he’s riding in the boot covered in a …
Notas del episodio
1953 Tehran. An American diplomat called Kermit Roosevely III rides through the city’s streets on his way to see the Shah of Iran. Although he can’t see anything because he’s riding in the boot covered in a Persian carpet. He doesn’t want to be seen because he’s on a top secret mission. A mission from the American government. To overthrow Iran’s popular Prime Minister threatening to nationalise the oil industry — Mohamed Mossadegh. Kermit is organising a coup.
This is the story of how America came up with a blueprint of how to fight its communist enemies abroad while still looking like the good guy. How it maintained its role as the virtuous superpower while getting rid of people it didn’t like. They decided to do it in secret, using the ultimate invisible hand - the CIA.
It’s a tale of oil, money, power and marks the start of a toxic relationship between Iran and the US that is still playing out to this day.
David Dimbleby tells the story of how in the middle of the 20th century one country - America - became a superpower and shaped the world around it.
It began with a vision. A vision born out of the ashes of World War Two. A vision of a world shaped not by war but by peace. This vision of America at the head of the free world came to be the defining idea at the center of the past 80 years of world politics. And yet now it is under threat.
So how did we get here? How did America become the leader of the free world and why did it go wrong? It’s a story shaped by people. People you have probably never heard of.
In the 20th Century, these ‘invisible hands’ wrote the story America came to believe about itself. A story of moral leadership leading to prosperity and peace. But is it a story that has run out of steam?
Presenter: David Dimbleby Producer: Redzi Bernard Sound Design: Jeff Emtman Executive Producers: Joe Sykes and Dasha Lisitsina Story Editor: Joe Sykes, Dasha Lisitsina, and Peggy Sutton Commissioning Editor: Dan Clarke
A Samizdat Audio production for BBC Radio 4
Invisible Hands: The American Century: 2. The Prophet
A man wakes up in the middle of the night in Moscow. He is sick. Shivery. Feverish. But he has a mission. A mission that will end up changing the course of world history. After World War Two was over, America …
Notas del episodio
A man wakes up in the middle of the night in Moscow. He is sick. Shivery. Feverish. But he has a mission. A mission that will end up changing the course of world history.
After World War Two was over, America was ready for peace. And to continue working with their ideological adversary, the Soviet Union. Franklin Delano Roosevelt even flew to Crimea to make a deal with Churchill and Stalin.
But there was one man who was sounding the alarm, all the way from a freezing Moscow winter. A Chekhov-obsessed diplomat called George Kennan who’s witnessed Stalin’s repressions first hand and would live to 101. More than anyone else, he will set the trajectory of American foreign policy in the 20th Century - with a telegram. A telegram he would come to deeply regret.
This is the story of how the US and USSR went from allies to enemies. And the man who made this happen - starting what would come to be called the Cold War.
David Dimbleby tells the story of how in the middle of the 20th Century one country - America - became a superpower and shaped the world around it.
It began with a vision. A vision born out of the ashes of World War Two. A vision of a world shaped not by war but by peace. This vision of America at the head of the free world came to be the defining idea at the center of the past 80 years of world politics. And yet now it is under threat.
So how did we get here? How did America become the leader of the free world and why did it go wrong? It’s a story shaped by people. People you have probably never heard of.
In the 20th Century, these ‘invisible hands’ wrote the story America came to believe about itself. A story of moral leadership leading to prosperity and peace. But is it a story that has run out of steam?
Presenter: David Dimbleby Producer: Redzi Bernard Sound Design: Jeff Emtman Executive Producers: Joe Sykes and Dasha Lisitsina Story Editor: Joe Sykes, Dasha Lisitsina, and Peggy Sutton Commissioning Editor: Dan Clarke
A Samizdat Audio production for BBC Radio 4
Invisible Hands: The American Century: 1. Mr Nobody
This is the story of the most important person you've probably never heard of. The man who made the dollar the centre of the world. And America along with it. His name is Harry Dexter White and, as an economist …
Notas del episodio
This is the story of the most important person you've probably never heard of. The man who made the dollar the centre of the world. And America along with it.
His name is Harry Dexter White and, as an economist at the Treasury, he had a vision of how to ensure another conflict like World War Two would never happen again.
To do that he had to upend the whole structure of the world financial system - and make the US Dollar the most important currency on Earth. Standing in his way was the greatest celebrity economist of all time, John Maynard Keynes. The battle between these two men - and Harry Dexter White’s eventual victory - would come to define the next 80 years of world history.
And yet, just a few years later, this visionary economist - the man who changed the world - would be dead. Branded as a traitor to his country. Accused of being the worst thing an American could be accused of - a Soviet Spy.
In Series 2 of Invisible Hands: The American Century, David Dimbleby tells the story of how, in the middle of the 20th century, America became a superpower and shaped the world around it.
It began with a vision. A vision born out of the ashes of World War Two. A vision of a world shaped not by war but by peace. This vision of America at the head of the free world came to be the defining idea at the centre of the past 80 years of world politics. And yet now, it is under threat.
So how did we get here? How did America become the leader of the free world and why did it go wrong? It’s a story shaped by people. People you may not know.
These ‘invisible hands’ wrote the story America came to believe about itself. A story of moral leadership leading to prosperity and peace. But is it a story that has run out of steam?
Presenter: David Dimbleby Producer: Redzi Bernard Sound Design: Jeff Emtman Executive Producers: Joe Sykes and Dasha Lisitsina Story Editor: Joe Sykes, Dasha Lisitsina, and Peggy Sutton Commissioning Editor: Dan Clarke
A Samizdat Audio production for BBC Radio 4
Invisible Hands: The American Century: Trailer
David Dimbleby introduces the story of how America became a superpower through the invisible hands who made it happen.
Sixty Years of Hurt: Bonus Episode: David Baddiel live at Crossed Wires Podcast Festival Fringe
Ahead of England's 2026 World Cup match with Mexico, David Baddiel and Nick Robinson reflect on what it means to be an England Men's Football fan. They discuss National Anthems and football songs, power vs the …
Notas del episodio
Ahead of England's 2026 World Cup match with Mexico, David Baddiel and Nick Robinson reflect on what it means to be an England Men's Football fan.
They discuss National Anthems and football songs, power vs the underdog, the emotionality of Football, Tuchel’s choice of players, the climate in the Azteca and how taking a penalty is like theatre, plus take questions from the audience.
Sixty Years of Hurt: 6. England v Hope
In the last episode of his series on the history of the England Men's football team, David Baddiel looks at that most magical, and most tantalising of all things - hope.Sixty Years of Hurt with David Baddiel' …
Notas del episodio
In the last episode of his series on the history of the England Men's football team, David Baddiel looks at that most magical, and most tantalising of all things - hope.
Sixty Years of Hurt with David Baddiel' explores the meaning of England and Englishness through the history of the England Men’s Football team. This is a social and cultural history as much as a sporting one, examining the story England tells about itself and how it's changed, via the medium of the international game. In episode three, David tackles the ‘English disease’ of hooliganism and looks at how it was, if not cured, then certainly treated.
England fans are not defined by hooliganism, but it’s impossible to look at the story of the England team without examining the headline grabbing behaviour of some of its fans. As applause for the 1966 World Cup faded away, the England story didn’t take long to add violence and extremism to its mix of patriotism, enthusiasm and natural sporting tension. Contributors including Cass Pennant, Kevin Day, David Goldblatt, and Roy Williams, share their experience of English football’s violent surges through the seventies and eighties, before a charting a change in fan behaviour as football emerged into the 1990s.
The series delves deep into how national myths are both forged and reflected in the fate of eleven young men with three lions on their shirts. It takes in the view from England’s sporting rivals, from Wales to Argentina, and asks what light the success of England’s Woman casts on the story of England’s Men. Across the series, David Baddiel will be joined by contributors including Stephen Fry, Alex James, Maisie Adam, Elis James, Barney Ronay, Roy Williams, Des Lynam, Stuart Pearce, Jean Williams, David Goldblatt, Pippa Grange, Jonathan Wilson, David Seaman, Omid Djalili and many more.
Sixty Years of Hurt with David Baddiel is produced by BBC Studios Audio for BBC Radio 4, in collaboration with Left Bank Pictures who are producing the upcoming drama Dear England for BBC iPlayer and BBC One. Host: David Baddiel Producers: Rich Power and David Baddiel Assistant Producer: Isaac Fisher
Sixty Years of Hurt: 5. England v Penalties
Sixty Years of Hurt with David Baddiel explores the meaning of England and Englishness through the history of the England Men’s Football team. This is a social and cultural history as much as a sporting one …
Notas del episodio
Sixty Years of Hurt with David Baddiel explores the meaning of England and Englishness through the history of the England Men’s Football team. This is a social and cultural history as much as a sporting one, examining the story England tells about itself and how it's changed, via the medium of the international game.
Having put it off as long as he possibly could, David devotes episode 5 to the collective and individual agonies of the the penalty shoot out.
The series delves deep into how national myths are both forged and reflected in the fate of eleven young men with three lions on their shirts. It takes in the view from England’s sporting rivals, from Wales to Argentina, and asks what light the success of England’s Woman casts on the story of England’s Men.
Across the series, David will be joined by contributors including Stephen Fry, Alex James, Maisie Adam, Elis James, Barney Ronay, Roy Williams, Des Lynam, Stuart Pearce, Jean Williams, David Goldblatt, Pippa Grange, Jonathan Wilson, David Seaman, Omid Djalili and many more.
Sixty Years of Hurt with David Baddiel is produced by BBC Studios Audio for BBC Radio 4, in collaboration with Left Bank Pictures who are producing the upcoming drama Dear England for BBC iPlayer and BBC One.
Host: David Baddiel Producers: Rich Power and David Baddiel Assistant Producer: Isaac Fisher
Sixty Years of Hurt: 4. England v The Culture
Sixty Years of Hurt with David Baddiel explores the meaning of England and Englishness through the history of the England Men’s Football team. This is a social and cultural history as much as a sporting one …
Notas del episodio
Sixty Years of Hurt with David Baddiel explores the meaning of England and Englishness through the history of the England Men’s Football team. This is a social and cultural history as much as a sporting one, examining the story England tells about itself and how it's changed, via the medium of the international game.
In Episode Four, David looks at the 1990s and 2000s. He sees how Italia 90 was a turning point for perceptions of the sport, before turning his attention to the glamour and promise of the 'golden generation' of English players and the subsequent slow descent of the team (and the country) into uncertainly and anger.
The series delves deep into how national myths are both forged and reflected in the fate of eleven young men with three lions on their shirts. It takes in the view from England’s sporting rivals, from Wales to Argentina, and asks what light the success of England’s Woman casts on the story of England’s Men.
Across the series, David Baddiel will be joined by contributors including Stephen Fry, Alex James, Maisie Adam, Elis James, Barney Ronay, Roy Williams, Des Lynam, Stuart Pearce, Jean Williams, David Goldblatt, Pippa Grange, Jonathan Wilson, David Seaman, Omid Djalili and many more.
Sixty Years of Hurt with David Baddiel is produced by BBC Studios Audio for BBC Radio 4, in collaboration with Left Bank Pictures who are producing the upcoming drama Dear England for BBC iPlayer and BBC One.
Host: David Baddiel Producers: Rich Power and David Baddiel Assistant Producer: Isaac Fisher
Sixty Years of Hurt: 3. England v Hooligans
Sixty Years of Hurt with David Baddiel' explores the meaning of England and Englishness through the history of the England Men’s Football team. This is a social and cultural history as much as a sporting one …
Notas del episodio
Sixty Years of Hurt with David Baddiel' explores the meaning of England and Englishness through the history of the England Men’s Football team. This is a social and cultural history as much as a sporting one, examining the story England tells about itself and how it's changed, via the medium of the international game. In episode three, David tackles the ‘English disease’ of hooliganism and looks at how it was, if not cured, then certainly treated.
England fans are not defined by hooliganism, but it’s impossible to look at the story of the England team without examining the headline grabbing behaviour of some of its fans. As applause for the 1966 World Cup faded away, the England story didn’t take long to add violence and extremism to its mix of patriotism, enthusiasm and natural sporting tension. Contributors including Cass Pennant, Kevin Day, David Goldblatt, and Roy Williams, share their experience of English football’s violent surges through the seventies and eighties, before a charting a change in fan behaviour as football emerged into the 1990s.
The series delves deep into how national myths are both forged and reflected in the fate of eleven young men with three lions on their shirts. It takes in the view from England’s sporting rivals, from Wales to Argentina, and asks what light the success of England’s Woman casts on the story of England’s Men. Across the series, David Baddiel will be joined by contributors including Stephen Fry, Alex James, Maisie Adam, Elis James, Barney Ronay, Roy Williams, Des Lynam, Stuart Pearce, Jean Williams, David Goldblatt, Pippa Grange, Jonathan Wilson, David Seaman, Omid Djalili and many more.
Sixty Years of Hurt with David Baddiel is produced by BBC Studios Audio for BBC Radio 4, in collaboration with Left Bank Pictures who are producing the upcoming drama Dear England for BBC iPlayer and BBC One. Host: David Baddiel Producers: Rich Power and David Baddiel Assistant Producer: Isaac Fisher
Sixty Years of Hurt: 2. England v Mavericks
'Sixty Years of Hurt with David Baddiel' explores the meaning of England and Englishness through the history of the England Men’s Football team. This is a social and cultural history as much as a sporting one …
Notas del episodio
'Sixty Years of Hurt with David Baddiel' explores the meaning of England and Englishness through the history of the England Men’s Football team. This is a social and cultural history as much as a sporting one, examining the story England tells about itself and how it's changed, via the medium of the international game.
In episode two, England v Mavericks, David shares a theory that he once unsuccessfully shared with England Manager, Terry Venables. England isn’t good at dealing with talent, specifically with maverick talent, talent that doesn’t play by the rules - the best kind of talent. As a result, England men’s football is littered with wonderous players who won very few caps, and never more than in the 1970s. David thinks the team, in this respect, represents the country and gets to the bottom of how various kinds of Englishness fought to keep the genius Brian Clough away from the manager’s job, and Rodney Marsh, the most talented player of his generation, away from the team.
Across the series, David Baddiel will be joined by contributors including Stephen Fry, Alex James, Maisie Adam, Elis James, Barney Ronay, Roy Williams, Des Lynam, Stuart Pearce, Jean Williams, David Goldblatt, Pippa Grange, Jonathan Wilson, David Seaman, Omid Djalili and many more.
Sixty Years of Hurt with David Baddiel is produced by BBC Studios Audio for BBC Radio 4, in collaboration with Left Bank Pictures who are producing the upcoming drama Dear England for BBC iPlayer and BBC One.
The producers are Rich Power and David Baddiel.
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BBC Radio 4 fungiert als zentraler Bestandteil des britischen öffentlich-rechtlichen Rundfunks und konzentriert sich primär auf Wortbeiträge. Der Sender zeichnet sich durch ein tiefgreifendes Informationsangebot aus, das von tagesaktuellen Nachrichten und politischen Analysen bis hin zu spezialisierten Magazinen reicht. Zu den festen Programmbestandteilen gehören die bekannte Morgensendung Today sowie diverse Fachformate, die Themen wie Landwirtschaft […]
