The Photowalk
- Episodios
- 572
- Se publica
- cada semana
- Último episodio
- 13 Nov 2026
Sobre el podcast
The Photowalk is a mailbag-driven podcast where we walk and make pictures together, and meet with special guests along the trail. For anyone who likes to take pictures. Available wherever you get your podcasts.
Episodios 572
#556 The ART of believing
Sometimes somebody else has to believe in us before we can quite believe in ourselves. But what happens to that seemingly limitless self-belief we have as children, when we're ready to try something over and …
Notas del episodio
Sometimes somebody else has to believe in us before we can quite believe in ourselves. But what happens to that seemingly limitless self-belief we have as children, when we're ready to try something over and over again without worrying about failure or what anybody else thinks? This week, our regular Teach Me Street mentor, Valérie Jardin, joins me for a rather different conversation. We go back to the beginnings of her photographic career, the different avenues she explored, and the moment someone suggested she might make a good street photography teacher. Fifteen years later, she's teaching photographers all over the world. It's a conversation about humble beginnings, trusting your abilities, the importance of encouragement and having a go at something before you're entirely convinced you can do it.
From the mailbag, Corina Person in Seattle writes a remarkably honest letter after last week's show; Jim Farmer shares thoughts on dealing with nerves from his experience 'teaching' aircrew; and Matt McDermott and David Lloyd share their photographic 'whys', one of which might require a scientific calculator! Two recordings from our MOMENTS collection also feature: Gary Williams reflecting on nerves and photojournalist Ed Kashi sharing a moment of love.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page. My sincere thanks to our Extra Milers, without whom we wouldn't be walking each week: DxO.com and Arthelper.com, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
#555 You can start again!
What happens when you've already reached the heights of your profession, but find yourself searching for a new sense of purpose in something you've spent much of your life doing? This week, I'm walking again …
Notas del episodio
What happens when you've already reached the heights of your profession, but find yourself searching for a new sense of purpose in something you've spent much of your life doing?
This week, I'm walking again with my dear friend Giles Penfound, a photographer who once worked at the very highest levels of his profession, documenting conflict and life in some of the world's most challenging and dangerous places, before his life and relationship with photography changed considerably. One moment he was making important legal documents with his camera, and the next, a 'deafening' quiet descended. What followed was more than a decade of trying to find his way creatively again, exploring large-format landscapes, printing, commercial photography, workshops, travel and wedding photography. But the more he searched for a new direction, the harder it seemed to become to reconnect with the very thing that had drawn him to photography in the first place.
Giles has now discovered being a photo tourist, an idea that has changed how he approaches photography and the world around him. It's about staying curious, finding interest in places we might otherwise overlook, not labelling yourself, being free to make photographs without feeling they have to belong together as part of a larger body of work or story, and approaching somewhere familiar with the same enthusiasm we'd bring to a country we've never visited. As we walk, we talk about ambition, reinvention, the expectations we place upon ourselves and what happens when the career that once defined us is no longer the whole story. And perhaps, after years of trying different doors, Giles has found one that feels worth opening.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week, DxO.com and Arthelper.com, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
#554 Homeless in a heatwave
What happens when you have a full-time job, a regular wage and a perfectly ordinary working life, but suddenly find yourself without a home? Photographer, advocate and writer Sam Singleton joins me to share the …
Notas del episodio
What happens when you have a full-time job, a regular wage and a perfectly ordinary working life, but suddenly find yourself without a home? Photographer, advocate and writer Sam Singleton joins me to share the story behind No Fixed Address, a deeply personal photographic record of 23 nights spent living first in his car and then in a tent, while continuing to work as a mechanic. We talk about the practical and emotional realities of hidden homelessness, the assumptions we make about people facing difficult circumstances, and why Sam chose to document his experience through photographs and words. His work has since appeared in The Big Issue, Invisible People and The i Paper, and his story offers a rather different perspective on what homelessness can look like.
The Friday mailbag returns after our travels through Mongolia, with more of your photographic whys from Simon Blakesley, Drew Brown and Alex Mealin. Richard Oldroyd tries to bring some order to my life, Bill Rigby shares a moving story about who he would choose to shoot his portrait, Glenn Sowerby makes a persuasive case for a journey north, and Gary Williams and Kim Frank share memorable moments from photography and life.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week, DxO.com and Arthelper.com, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
#553 THE MONGOLIAN ADVENTURE SPECIAL Pt.2
This week, we return to Mongolia for the second part of our journey, flying west to Ölgii and travelling into the Altai Mountains, where we meet Kazakh nomadic families and discover the extraordinary …
Notas del episodio
This week, we return to Mongolia for the second part of our journey, flying west to Ölgii and travelling into the Altai Mountains, where we meet Kazakh nomadic families and discover the extraordinary relationship between eagle hunters and their golden eagles.
Along the way, we share meals and traditional toasts, photograph the beautiful landscapes around Lake Dayan, and travel to ancient petroglyphs near the Chinese border, where people were making pictures thousands of years before the invention of photography. You'll also visit the Sagsai Eagle Festival, experience remarkable horsemanship, enjoy traditional music, and take on a few personal challenges.
With our fellow travellers and local guides, we explore the culture, traditions and hospitality of western Mongolia. Recorded on location, with the conversations, laughter and sounds of the journey, this is the concluding part of our Photowalk adventure in Mongolia.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
#552 THE MONGOLIAN ADVENTURE SPECIAL Pt.1
This week, we're taking you to Mongolia, travelling across the vast open steppe in Russian UAZ vans, meeting nomadic families, and discovering a way of life shaped by the land, the seasons, and the animals that …
Notas del episodio
This week, we're taking you to Mongolia, travelling across the vast open steppe in Russian UAZ vans, meeting nomadic families, and discovering a way of life shaped by the land, the seasons, and the animals that depend on it. Along the way, you'll find traditional Mongolian hospitality, yoghurt vodka, ancient standing stones, wild horses, and a fair bit of bouncing around on roads that barely deserve the name. With our fellow adventurers and local guide Shuren, we explore ruined monasteries hidden in the mountains, hear extraordinary stories of Chinggis Khaan and visit places where Mongolia's remarkable history has left some painful reminders. Recorded as we travel, with the voices, laughter and experiences of the people alongside us, this is a Photowalk adventure through one of the world's most extraordinary landscapes.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
#551 The courage to be afraid
This week, my guest is Kim Frank, an American writer, editor, photographer, filmmaker and explorer who set off for The Himalaya in 2018, determined to find a story worthy of National Geographic, despite knowing …
Notas del episodio
This week, my guest is Kim Frank, an American writer, editor, photographer, filmmaker and explorer who set off for The Himalaya in 2018, determined to find a story worthy of National Geographic, despite knowing very little about the region. She discovered a growing conflict between people and endangered Asian elephants. Ancient elephant migration routes now cross farms, villages and railway lines, with devastating consequences for both humans and elephants. Kim kept returning, documenting the lives of those caught up in the conflict and the efforts being made to help both species live alongside one another. Those journeys became her book, Elephants in the Hourglass, and the documentary Where the Forest Roars.
We talk about the personal circumstances that first sent her travelling, the extraordinary encounters along the way, storytelling, photography and finding the courage to do things that frighten us. And Kim, despite everything she's achieved, admits she's frightened of almost everything.
Also on the show, a curious case of mistaken location involving a library and a laundry room; Pascal Bernardon discovers photography and the wider world it opens up; Matt Goff talks about neurodiversity as a creative superpower; and Dreich McCrabbit downsizes his camera kit as winter approaches in Clashnessie. Plus, Ewen Bell shares a moment about travel, and Kim Frank returns with her own moment of wonder.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
#550 What have we become?
Marc Asnin joins me to talk about ACT 1: A Century in the Making, an ambitious book and exhibition looking at the first twenty-five years of this century through photography. More than 100 photographers, six …
Notas del episodio
Marc Asnin joins me to talk about ACT 1: A Century in the Making, an ambitious book and exhibition looking at the first twenty-five years of this century through photography. More than 100 photographers, six continents, nine major themes and work by names including Eugene Richards, Platon, David Burnett and Albert Watson. We talk about what those photographs reveal about the first twenty-five years of this century, and what Marc discovered when he began looking at them together as a record of the times we've lived through.
We also explore Marc's own documentary work. Uncle Charlie grew into an almost thirty-year portrait of his uncle and godfather, Charlie Henschke. Final Words collected the last statements of 578 people executed on death row in Texas, later developing into We the People Confess, bringing photography, sound, testimony and historical material together to examine capital punishment.
In the mailbag, Matthies Wesche wonders whether making videos for YouTube is getting in the way of making still photographs. Lauren McClanahan writes about unplugging, younger people and AI, while Phil Ferris has been learning when it's time to shut doors.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
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#549 "I admit my addiction! and..."
My guest today is documentary photographer Ed Kashi, who returns to The Photowalk. Across a career spanning more than four decades, Ed has photographed some of the most powerful and major social and political …
Notas del episodio
My guest today is documentary photographer Ed Kashi, who returns to The Photowalk. Across a career spanning more than four decades, Ed has photographed some of the most powerful and major social and political stories of our time. We talk about the power of mature storytelling eyes, returning to photographs made decades ago and seeing them differently, and what experience changes about the way you work. Then we turn to something photography is increasingly facing: trust. If AI can make a convincing photograph of an event that never happened, and even construct a believable photographic history around it, what happens to our belief in the photograph as evidence or reality? Ed has spent his working life documenting real people and real events, so I wanted to know how he sees what comes next, and far from a gloomy outlook, he has hope for the medium of photography for the decades to come.
Also today, Rob Lee discovers ethnography after losing his enthusiasm for photography, David Higton finds a kitchen table with a story, Richard Rawlings goes looking for pools of light, and our growing collection of Moments recordings brings words on silence from Adriano Henney and beauty from Ewen Bell.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
BUY THE NEW SHOW ZINE, REFLECTIONS
#548 "Photography is a powerful microphone!"
My mother kept an old biscuit tin in the larder. Inside this tin was the sort of collection that somehow accumulates over a lifetime: old coins, buttons, nuts and bolts, stamps that were no longer worth …
Notas del episodio
My mother kept an old biscuit tin in the larder. Inside this tin was the sort of collection that somehow accumulates over a lifetime: old coins, buttons, nuts and bolts, stamps that were no longer worth whatever was printed on them, keys that probably opened something once, and assorted little objects nobody could quite bring themselves to throw away. Years later, the idea of this tin, has found its way into The Photowalk. Mine, though, contains questions.
This week, I open it with one of the show's great friends, David duChemin, an award-winning wildlife and humanitarian photographer, author, teacher and, for many photographers, a mentor. He tackles questions from the tin, and there are a couple of bigger questions I want to put to him this time about resilience and relevance. Where does resilience come from, and what keeps a creative person moving when confidence disappears, plans go wrong, or life simply gets in the way? Then there's relevance. As photographers, how much should we care about remaining relevant? Relevant to whom, exactly? And what happens as we get older, as the industry around us changes and our reasons for making photographs change with it?
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
BUY THE NEW SHOW ZINE, REFLECTIONS
#547 Twenty-five years
Twenty-five years after September 11th, a generation has grown up knowing that day through photographs, television footage and the recollections of those who were there. In this special edition, I walk with my …
Notas del episodio
Twenty-five years after September 11th, a generation has grown up knowing that day through photographs, television footage and the recollections of those who were there. In this special edition, I walk with my friend, photojournalist Jason Florio, who at the time of recording, was preparing to return to New York, where in 2001 he found himself running up Vesey Street as one of the towers fell behind him.
We talk about going back, what remains clear after a quarter of a century, what has blurred, and the importance of first-hand memories as an event passes further into history. Also in the programme, filmmaker and photographer Paul Berriff recalls filming alongside New York firefighters when the South Tower collapsed, knocking him unconscious while his camera continued to record. Two photographers who witnessed an extraordinary moment in history, and the stories behind images that, twenty-five years later, remain with us.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
#546 Honesty, vulnerability and inspiration
There have been some extraordinary photographers walking with me on The Photowalk over the years, sharing their work, their lives, what they've learned and the reasons they continue to pick up a camera. But …
Notas del episodio
There have been some extraordinary photographers walking with me on The Photowalk over the years, sharing their work, their lives, what they've learned and the reasons they continue to pick up a camera. But this programme has always belonged to you as well. Every week, photographs and stories arrive from around the world: places you've stumbled across, people you've met, pictures that have come to mean more than you expected, and walks taken because you simply needed to get out for a while.
The Photowalk became as much about what happens while we're out there as the pictures we bring home. Photography gives us a reason to look, and walking gives us the time to notice. From there we find ourselves talking about creativity, friendship, family, loss, confidence, getting older, curiosity, mental health and all the other stuff that finds its way into life. I've always been more interested in why you pressed the shutter than which button you pressed to do it. Why you stopped. Why something caught your attention. Why you went out that morning with a camera in the first place. So today I'm handing the show over to you: your pictures, your letters, your walks and the things you've noticed along the way.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
BUY THE NEW SHOW ZINE, REFLECTIONS
#545 Standing in the Cauldron of Passion
Passion is perhaps an overused word in photography and sport, but this week it earns its place within the show. German photographer and journalist Kai Behrmann joins me to talk about his long-term project …
Notas del episodio
Passion is perhaps an overused word in photography and sport, but this week it earns its place within the show. German photographer and journalist Kai Behrmann joins me to talk about his long-term project exploring Argentina's extraordinary relationship with football and why the game runs so deep in the country's culture and identity.
Valerie Jardin returns for this month's Teach Me Street, while the mailbag takes us to Finland with Juha Wikström, who has been photographing people completing one of the world's great pilgrimages. David Lloyd reports from Vapington-on-Sea, Giles Thurston writes with remarkable openness on Substack, and from Cornwall, there's reading under the covers by torchlight.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
BUY THE NEW SHOW ZINE, REFLECTIONS
#544 Being resilient in a new world
Australian travel photographer Ewen Bell has spent more than 25 years making pictures across the world, from the Himalayas and the Australian Outback to the Arctic. But what remains after all those journeys and …
Notas del episodio
Australian travel photographer Ewen Bell has spent more than 25 years making pictures across the world, from the Himalayas and the Australian Outback to the Arctic. But what remains after all those journeys and all those photographs? Ewen joins me to talk about the why of travel. We also talk about his ReIMAGINE podcast, writing, making zines, and the changing online world for photographers.
From the mailbag, David Higton has his own story of airborne resilience; Richard Rawlings is writing in the mist; and, after our recent eclipse infatuation, David Glandon takes us back to the great American eclipse of 2017. Colin Mayer is kneeling before the altar of electricity pylons in pictures, plus moments of silence and wonder from Adriano Henney and Mali Davies.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
BUY THE NEW SHOW ZINE, REFLECTIONS
#543 The day we chased the moon
Following this week's solar eclipse, which brought a partial eclipse to the UK, much of Europe and parts of North America, we return to The Photowalk archive for one of the most extraordinary stories ever told …
Notas del episodio
Following this week's solar eclipse, which brought a partial eclipse to the UK, much of Europe and parts of North America, we return to The Photowalk archive for one of the most extraordinary stories ever told on the show.
Photographer Jon Carmichael wanted to photograph a total solar eclipse from 39,000 feet aboard a commercial airliner. That meant calculating where the Moon's shadow would fall, finding a flight capable of meeting it, and somehow securing exactly the right seat.
What followed is a remarkable story of planning, persuasion, good fortune and photography, beginning with the influence of a geography teacher and eventually leading to an image bought by Elton John. Even if you've heard Jon tell parts of this story elsewhere, including in his TED Talk, this is one worth pulling up an imaginary bar stool for and hearing again. It's a genuine dine-out-on-it-for-the-rest-of-your-life story about being in precisely the right place, several miles above the Earth, at precisely the right moment.
Also today, from our Facebook community, Pascal Bernandon shares Shared Loneliness. Over in the mailbag, Per Birkhaug finds his photographic 'why' with a little help from three reindeer, while Gert Van Cole wonders why so many photographers stray into other creative pursuits. Plus, our new feature Moments officially begins, with next week's guest, travel photographer Ewen Bell.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
BUY THE NEW SHOW ZINE, REFLECTIONS
#542 Discovering your why
What is your why? It seems like the simplest question, and it's one I ask every guest, yet it's almost always the one that reveals the most. Why? Not just why do you make photographs, but why do you create, why …
Notas del episodio
What is your why?
It seems like the simplest question, and it's one I ask every guest, yet it's almost always the one that reveals the most. Why?
Not just why do you make photographs, but why do you create, why do you keep going, why does any of it matter? In this special edition of The Photowalk, I turn that same question towards the people who walk with me each week through the show, you! Alongside thoughtful messages from the mailbag, you'll hear audio archive reflections from past guests. This is a show about purpose as much as photography. About the reasons that shape our work, our choices and, sometimes, the direction of our lives. It might just leave you thinking about your own why.
I'm joined by my good friend Giles Penfound for part of the walk, to talk about his own why, and his recent road trip across Australia.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
BUY THE NEW SHOW ZINE, REFLECTIONS
#541 Stories from beside the road
We pass roadside memorials every day. A cross, a handful of fading flowers, a photograph weathered by the sun. Most of us glance at them for a moment before driving on. Photographer Miranda Remington did …
Notas del episodio
We pass roadside memorials every day. A cross, a handful of fading flowers, a photograph weathered by the sun. Most of us glance at them for a moment before driving on. Photographer Miranda Remington did something different. She stopped. What began as a simple act of curiosity became a deeply personal project, introducing her to families who continue to care for these places of remembrance and sharing the stories behind them. In this conversation, we explore photography's unique ability to preserve memory, the trust required to tell someone else's story, and why some acts of love don't end with goodbye. It's a remarkable reminder that every memorial marks not just a loss, but a life that continues to be remembered.
Plus, in the mailbag, Adam Flack and Mark Mackay reveal their dream portrait photographers, though one choice may require a time machine. Dan Langer finds himself inadvertently ruffling military feathers, Gordon Oliver shares a rabbit hole that completely hijacked my evening, and Mark Christensen has found the new collective noun for a 'gaggle' of photographers.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
BUY THE NEW SHOW ZINE, REFLECTIONS
#540 The biggest street story in London
This week, The Photowalk explores the story of Notting Hill Carnival through the people who have lived it, photographed it and helped shape it over the decades. My lead guest is photographer Wayne Crichlow …
Notas del episodio
This week, The Photowalk explores the story of Notting Hill Carnival through the people who have lived it, photographed it and helped shape it over the decades. My lead guest is photographer Wayne Crichlow, co-author of Carnival of Resistance, a remarkable new book documenting Carnival through the eyes of those who know it best. Along the way, our conversation takes some unexpected turns. We meet London documentary photographer Sam Shervington, whose grandmother, Barbara, was there during Carnival's formative years, and Wilf Walker OBE, a music promoter whose story spans from the early days of Notting Hill Carnival to the fields of Glastonbury.
Also today, we talk of Charlie Phillips, whose camera created one of the most important visual records of London's Caribbean community. We look back at the Mangrove Nine, discover the traditions behind J'ouvert and Jab Jab, and meet some of the people whose lives have become woven into the history of Carnival itself.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
BUY THE NEW SHOW ZINE, REFLECTIONS
#539 "A life worth living"
This week, the conversation with Harry Borden moves beyond the portraits that made his name and into the ideas that continue to drive him. We talk about his "why", his growing YouTube channel and the deeply …
Notas del episodio
This week, the conversation with Harry Borden moves beyond the portraits that made his name and into the ideas that continue to drive him. We talk about his "why", his growing YouTube channel and the deeply personal 4 Hugs Wide project. Harry also reflects on the detached retina that changed his outlook on life and speaks openly about a particularly difficult period, so just a gentle note that this part of the conversation touches on mental health. It's an honest, thoughtful and optimistic discussion with one of Britain's most respected portrait photographers.
From the mailbag, we have some Hoptimism from Denmarkland too... and with an H. All will be revealed in a letter from Hegaard the Dane. If you don't believe in the power of a photograph, then Jim Farmer just might change your mind with today's opening letter. Chris Rawlings puts photography, AI and digital art into the same boxing ring with a question that's sure to divide opinion. We've got some biscuit tin answers to the question, "Which photographer, past or present, would you choose to make your portrait?" Valerie Jardin returns with this month's Teach Me Street, where she's very happily disappearing into a world of black and white, and the last letter of the show has a tortoise theme.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
BUY THE NEW SHOW ZINE, REFLECTIONS
#538 Heard. Seen. Believed.
Harry Borden has spent more than four decades photographing some of the world's most recognisable faces. His portraits of actors, musicians, business leaders and every UK Prime Minister from Margaret Thatcher …
Notas del episodio
Harry Borden has spent more than four decades photographing some of the world's most recognisable faces. His portraits of actors, musicians, business leaders and every UK Prime Minister from Margaret Thatcher onwards have appeared in publications including The Observer, The Guardian, The Sunday Times Magazine and Vanity Fair. But behind those well-known portraits is a photographer equally drawn to quieter, more personal work. In the first of a two-week conversation, Harry joins me to talk about photographing celebrities, captains of industry, and Prime Ministers; how he approaches portraiture when the clock is ticking; and why curiosity has always mattered more than reputation. We also begin exploring some of the personal projects that have shaped his career, before next week's episode turns more towards the story of Harry himself.
The mailbag is in particularly good form this week, too. Michael Assmann writes a thoughtful and moving letter about fatherhood, Paul Holdorf shares a photo essay on darkness. Sandro Correia wonders how to rediscover his love of photography. Paul Eaves pens an unexpectedly poetic tribute to his washing machine, we unveil a brand-new Biscuit Tin Question, bring the latest quarterly photo assignment to a close, and hand over the next challenge to none other than portrait photographer Platon.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
BUY THE NEW SHOW ZINE, REFLECTIONS
#537 A field full of stories: SPECIAL
What makes someone spend years restoring a traction engine, collecting children's bicycles, or keeping an old British car on the road when most of us would have given up long ago? This week, The Photowalk heads …
Notas del episodio
What makes someone spend years restoring a traction engine, collecting children's bicycles, or keeping an old British car on the road when most of us would have given up long ago? This week, The Photowalk heads to the Dene Rally, where members of our community join me for a weekend of photography, conversation and a series of photographic challenges. We meet those who dedicate their lives to the magic of steam, there are family stories attached to classic cars, cowboys looking for new horizons in sleepy Hampshire, spooky fairground attractions, portraits with strangers and a story that proves the power of legacy negatives.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
#536 The Scottish Retreat Special 2026
This week, The Photowalk returns to the Scottish Highlands for a special show recorded during our latest 2026 retreat in Scotland. Together, we follow the Black Water as it gathers pace through the woodland …
Notas del episodio
This week, The Photowalk returns to the Scottish Highlands for a special show recorded during our latest 2026 retreat in Scotland. Together, we follow the Black Water as it gathers pace through the woodland gorge at Rogie Falls, find historic scenes in Cromarty, explore the wartime shoreline of Roseisle Beach, and spend time beside Loch Maree, one of Scotland's most celebrated lochs, where the mountain of Slioch rises directly from the water, just shouting for pictures to be made!
Along the way, there are conversations about photography, friendship, creativity, large-format cameras, and the unexpected power of writing, not simply as a way of recording thoughts, but as a way of discovering them. Joined by Lynn Fraser, Michael Assmann, John Anderton and Giles Penfound, this journey takes you through a part of Scotland that has become deeply woven into the story of The Photowalk.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
#535 The art of absolute patience
This week, The Photowalk heads indoors to the Highland Print Studio in Inverness for an experience that's a world away from the instant gratification of modern photography. Over two days, we learn the …
Notas del episodio
This week, The Photowalk heads indoors to the Highland Print Studio in Inverness for an experience that's a world away from the instant gratification of modern photography. Over two days, we learn the centuries-old art of polymer photogravure, transforming digital photographs into richly textured fine art prints through a process of light, water, ink and an extraordinary amount of patience.
Guided by master printmaker John McNaught, and joined by Lynn Fraser, Michael Assmann, John Anderton and Giles Penfound, we discover why so many photographers become captivated by this tactile craft. Along the way, we explore the history of photogravure, meet some of the artists who have embraced it, and find out why, in an age of endless scrolling, there is still something magical about slowing down and making a photograph you can truly hold in your hands.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
WHY: A Sketchbook of Life is available HERE.
#534 Two Scots, Two Stories
While I'm away in Scotland leading the Scotland 2026 retreat, I thought it would be fitting to bring you a special edition from The Photowalk archive. So, it's an interview-only special where I'm revisiting two …
Notas del episodio
While I'm away in Scotland leading the Scotland 2026 retreat, I thought it would be fitting to bring you a special edition from The Photowalk archive. So, it's an interview-only special where I'm revisiting two conversations with Scottish photographers whose work has left a lasting impression on me, and whose careers have taken them in very different directions.
Albert Watson was born in Edinburgh and has spent more than five decades producing some of the most recognisable photographs ever made. From portraits of actors, musicians and world leaders to fashion and commercial work, his images have appeared on countless magazine covers and gallery walls around the world.
Kieran Dodds grew up in the Highlands and is known for thoughtful long-term documentary projects that explore people, place and identity. We revisit his fascinating Gingers project, which saw him travel the globe photographing red-haired people in countries where you might least expect to find them.
Two photographers, two very different careers, and a chance to hear again from a pair of Scots whose work continues to inspire photographers around the world.
The NEW Zine is launched: REFLECTIONS.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
WHY: A Sketchbook of Life is available HERE.
#533 Welcome aboard the TIME MACHINE
This week on The Photowalk podcast, I'm joined by photographer and collector Tim Rice, whose remarkable archive of cameras, lenses, film stocks and photographic memorabilia has become something of a museum …
Notas del episodio
This week on The Photowalk podcast, I'm joined by photographer and collector Tim Rice, whose remarkable archive of cameras, lenses, film stocks and photographic memorabilia has become something of a museum dedicated to photography's past. From rare equipment to historically important oddities, we talk about the stories attached to the machines that once documented the world. Also returning to the show is independent curator and photography historian Hilary Roberts, former Head Curator of Photography at the Imperial War Museums, as we explore the idea of curation through photographs, archives, memory and history.
In the mailbag, Phil Ferris writes from Oregon reflecting on place, stillness and impermanence before returning home to Cornwall, Don Ridgway follows the ancient stone circles of Britain and Tyler Cahoon shares thoughts from his Camino walk between Porto and Santiago, where photography became less about documenting others and more about understanding himself. There's also the return of The Photo Assignment, plus news about the launch of the very first Photowalk zine, REFLECTIONS.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
WHY: A Sketchbook of Life is available HERE.
#532 Finding solace in the symphony of sunrise
This week's guest is Paul Sanders, who returns after a long absence to talk about his latest move to seek 'still'. Paul spent years operating at the sharp end of British newspaper photography as Picture Editor …
Notas del episodio
This week's guest is Paul Sanders, who returns after a long absence to talk about his latest move to seek 'still'. Paul spent years operating at the sharp end of British newspaper photography as Picture Editor of The Times, living among relentless deadlines, pressure, and the pursuit of tomorrow's front page. Somewhere within that world, though, he began to realise that achievement and contentment don't always arrive hand in hand. Over time, photography became less about proving himself and more about paying attention again. His pictures now are often shaped by solitude, weather, atmosphere, and the Cornish landscape. He speaks honestly about burnout, depression, creativity, and rebuilding a sense of purpose through time spent alone with a camera. We also discuss his new book, Still, which sold out within weeks of its initial publication.
In the mailbag today, Adriano Henney discovers that his toughest critic may in fact be living under the same roof, David Munro is beginning a photographic project that lets him follow the beautiful game wherever his travels happen to take him, Glenn Sowerby finds himself among the black velvet and eyeliner of a Goth festival, our own Neil Ford is photographing people dressed in foam costumes while attempting half marathon world records, and Bob Demers, (Bob of the Desert) is asking the world to stop shouting!
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
WHY: A Sketchbook of Life is available here.
#531 "Failing is a big part of photography, I LOVE to fail!"
This week's guest is American photographer Tim Rice, whose career has covered everything from social photography and headshots to branding and commercial work, the sort of varied, real-world photography that …
Notas del episodio
This week's guest is American photographer Tim Rice, whose career has covered everything from social photography and headshots to branding and commercial work, the sort of varied, real-world photography that has supported generations of working professionals behind the camera.
Tim began his journey running a one-hour photo lab before the arrival of digital photography changed the industry almost overnight. Our conversation explores that transition, alongside his enduring affection for film, analogue processes, vinyl records, and cinema. In the first part of this extended conversation, we talk about photography's changing landscape, craftsmanship, and the value of physical media in an increasingly digital world. We also discuss Tim's upcoming photographic road trip across America's "middle ground", inspired by the observations and journeys of photographers Todd Webb and Robert Frank during the 1950s.
In this week's mailbag, R.J. Campbell reflects on a photograph of his father and on how certain pictures seem to take on more meaning as the years pass. The biscuit tin question produces a wonderfully inventive collection of answers, Kari Price writes in from Australia with a letter that somehow manages to connect macro photography, street observation, Honeybrown beetles and burnt Basque cheesecake, Kelvin Brown is tempting us with barge life and Dennis Muir reflects on the hidden realities of photography, including muddy parking spots and creaking joints.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
WHY: A Sketchbook of Life is available here.
#530 Sean Tucker on writing: What pictures cannot say
I'm joined by photographer, writer and philosophical YouTuber Sean Tucker for a conversation about writing as a creative act; a way of noticing, a way of understanding yourself, and perhaps even a way of …
Notas del episodio
I'm joined by photographer, writer and philosophical YouTuber Sean Tucker for a conversation about writing as a creative act; a way of noticing, a way of understanding yourself, and perhaps even a way of staying awake to life. What began as a listener letter about creative block and photography has become a much bigger conversation about expression itself and how sometimes words can unlock parts of our creativity that pictures alone cannot reach. Sean talks beautifully about the role writing now plays in his daily life and creative practice, how it sharpens observation, and why putting thoughts onto a page can become far more than simply "content creation." Along the way, we wander into philosophy, memory, creativity, identity, grief, and the strange human need to make sense of our experiences by shaping them into stories. The conversation also touches gently and honestly on personal loss and suicide, particularly toward the latter part of the episode.
And because writing has increasingly become part of my own creative life too, I also share a deeply personal audio essay from the series Halfway to Maybe about gratitude, existence, loss, and the sheer improbability of being alive at all. This is a thoughtful edition, most certainly, a reflective one, and a conversation about creativity.
In the mailbag, Tomas Nilsson is thanking Holga for his newfound vigour for photography, appreciating that sounds a little like an interesting cheese and wine party from the 70s, Kelvin Brown has essential viewing homework for a weekend film, and Adam Flack solves the strange barking in the woods that unnerved me in an earlier episode.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
WHY: A Sketchbook of Life is available here.
#529 "Don't ever lose these pictures"
Today I feature Fran May, a British photographer whose black-and-white work from the 1970s captures a version of Britain that has largely vanished: northern towns, street markets, pubs, kids playing out, and …
Notas del episodio
Today I feature Fran May, a British photographer whose black-and-white work from the 1970s captures a version of Britain that has largely vanished: northern towns, street markets, pubs, kids playing out, and Brick Lane in London. What makes the photographs remarkable is how unforced they feel. Nothing is staged, nothing is trying too hard. They are just honest slices of ordinary life, made by someone who came to England from the wide open spaces of Canada and Hawaii and found something worth documenting in the terraced streets and shop fronts of a country that still had one foot firmly in the post-war years. Fran worked under the mentorship of Bill Brandt, and it shows in the seriousness with which she approached the everyday.
There's a touch of street about the show because Valerie Jardin returns for another edition of Teach Me Street. The mailbag is as wonderfully unpredictable as ever: Margaret Ellison in New Zealand writes about losing her way photographically and finding it again through writing; Robin Taylor-Hunt, Maurice Webster and Colin Mayer send postcards from India, Venice and what appears to be a particularly chilly beach in Blackpool, respectively; and Gene Westberg is celebrating our profanity-free zone. We'll remind you of this quarter's photo assignment, and you're invited to join the show for this year's Photowalk meet-up at a country fair to make photographs of people.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
WHY: A Sketchbook of Life is available here.
#528 Mike Tyson and the pigeon
This week's guest is Paul Mobley, one of America's most accomplished portrait photographers, a man who has spent his career looking people in the eye to tell their stories through photography. He trained under …
Notas del episodio
This week's guest is Paul Mobley, one of America's most accomplished portrait photographers, a man who has spent his career looking people in the eye to tell their stories through photography. He trained under Annie Leibovitz in New York, went on to shoot for some of the biggest names in advertising and editorial, and has pointed his lens at everyone from Adam Sandler and Daniel Radcliffe to Amy Schumer and Bill Burr, as well as major brands like Apple, Ford and American Express. But it's his personal work that sets him apart. Paul has spent years driving across the United States, well over 100,000 miles of it, making four books that document ordinary Americans living lives most people never stop to notice. Farmers, firefighters, everyday heroes, and centenarians in all fifty states who've lived through world wars, the space age and the digital revolution and still have something to say. He shares stories about how he puts sitters at ease, plus a tale where it could have all gone wrong with Mike Tyson, until a pigeon showed up.
Also, in the mailbag as we walk, between my chat with Paul, you are about to be introduced today by Phil Ferris to an Australian urban poet who is the gem in my life I didn't know I needed, but now I've found him, I need to share his name with you. Wallace Shackleton shares his memory of the Camino by bike, a slight warning for reasons that will become clear; Richard Rawlings' letter is most likely to make you itch, and we check in with Raja Bhagavatula, who has found his own magical place on earth, in Scotland, next to an oil rig.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
WHY: A Sketchbook of Life is available here.
#527 A society of the Endless Image
This week's guest is Ruth Guest, a photographer and cyberpsychologist who's spent a lot of time thinking about what's really going on when we make pictures in a world that never seems to stop producing them. We …
Notas del episodio
This week's guest is Ruth Guest, a photographer and cyberpsychologist who's spent a lot of time thinking about what's really going on when we make pictures in a world that never seems to stop producing them. We explore the topics of losing your spark with photography, the pressure of everything we see online, and what happens when you start copying others without even realising it. It's less about cameras and more about what's happening in your head when you pick one up. We also touch on why we shoot in the first place, whether it's for work, for memory, or just to hold on to something that matters, plus what changes once those images are shared with the world. If you've ever questioned your own reasons for taking pictures or felt a bit lost in all the noise, this is an episode for you.
In the mailbag this week, Jeff Smeraldo writes in about photographing family and why it matters more than we often realise, especially when it comes to legacy. Hegaard the Dane is stepping into what he calls a "proper grown-up job," which somehow leads us to news of a brand-new meet-up. Dennis Linden introduces a YouTuber who came to photography later in life, someone who didn't follow the usual path, and the photo assignment returns, set by photographer and artist Gael Hillyard.
Read more about our photographic adventures on our photography travel website, The Journey Beyond.
Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
WHY: A Sketchbook of Life is available here.
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