The Plot Thickens

Stanley adapts the most shocking book of its time, a purported love story between a middle-aged man and a 12 year-old girl named Lolita.  To escape censors, Stanley shoots the movie in England.  But it still ends up stirring plenty of controversy, which propels it to become a major hit.

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Kirk Douglas offers Stanley a massive paycheck to take over directing a historical epic called Spartacus.  Against his better judgment, Stanley agrees, and gets roped into one of the most difficult productions of his career. Despite the film's success, Stanley regrets his involvement and learns a painful lesson about Hollywood hierarchies.

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Stanley heads to Hollywood to direct The Killing, a crime caper with a famous cast and a confusing storyline.  The film tanks at the box office but attracts the attention of movie star Kirk Douglas, who agrees to star in Stanley's next project.  Stanley decides to adapt the antiwar novel Paths of Glory, which he films in Germany and unexpectedly meets the love of his life.

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Stanley takes his first crack at filmmaking, starting with shorts and moving up to low-budget independent features.  His family bankrolls his productions and his friends act as cast and crew, but his efforts fail to turn a profit.  As his first marriage begins to crumble, Stanley plays chess for quarters, until a new friend gives him a shot at the big time.

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Stanley Kubrick grows up rooting for the Yankees, playing drums, and watching World War II newsreels at the local movie theater. At age 13, his father gifts him his first camera, which leads to a prestigious job at a famous magazine... and the opportunity to watch a film being made on the streets of New York.

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Actor Sterling Hayden details the worst day of his life, which occurred on the set of Stanley Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.

Stanley, from Turner Classic Movies and Criterion, starts September 24.

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Katharina Kubrick recalls life at home with her famous father, where music was a constant presence.

Stanley, the new season of The Plot Thickens, starts September 24.

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Steven Spielberg tells Ben Mankiewicz about the deal he struck with Stanley Kubrick for information about a famous cut scene from Dr. Strangelove.

Stanley, an eleven-episode limited series, begins September 24.

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Ben Mankiewicz received hundreds of voicemails about Cleopatra, and now he's answering them! Well, as many of them as he can. In this special bonus episode, Ben weighs in on the six-hour cut of Cleopatra, what Richard Burton thought of the movie, Judy Garland's love for Joe Mankiewicz... and much more!

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We’re doing our first-ever Q&A bonus episode, and we want your questions! Call 404-885-0013 to leave a voicemail for Ben. You can ask about Cleopatra, Ben's great-uncle Joe Mankiewicz or the stars of the movie. Remember to tell us your first name and where you're calling from. We might use your voice in the episode so keep it clean! And be on the lookout for the Q&A bonus episode next month.

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The fate of 20th Century Fox hangs in the balance as Cleopatra premieres. Critics and audiences weigh in, Elizabeth and Richard face momentous life decisions, and Joe sinks into a deep depression. For years to come, Joe and the Mankiewicz family reckon the difficult legacy of Cleopatra.

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Joe’s body reaches its breaking point, and he’s forced to film the last few scenes from a wheelchair. But when production wraps, Fox installs a new studio head, Darryl F. Zanuck, who undercuts Joe’s authority and takes over the edit of Cleopatra. Soon, Joe and Zanuck wage a very public battle for control of the movie, just months before it’s finally released.

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Elizabeth Taylor and Richard Burton’s love affair becomes a tabloid sensation. Richard drinks and Elizabeth cries, they fight and make up, all while trying to keep the affair from their spouses and the public. When the press infiltrates the set and reports on every ugly development, Joe struggles to hold the production together. But as the budget balloons, Joe starts taking the blame for everything that’s gone wrong.

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Joe Mankiewicz decides to recast two leading men and hires Richard Burton and Rex Harrison – major talents who turn out to be major headaches. He also moves filming to a new country, where the budget spirals out of control. Joe works against the clock to meet the studio’s deadline to start shooting, and he nearly pulls it off… until Richard Burton puts the moves on his married co-star Elizabeth Taylor, throwing the entire production into chaos.

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While Elizabeth Taylor fights for her life in a London hospital, Joe Mankiewicz begins to grapple with the movie he’s inherited. The script is dreadful, the sets are grotesque, and none of the footage is usable. Joe decides to start over from scratch. A look at Joe’s long career in Hollywood gives some clues as to how he’ll handle this epic production and manage his high maintenance actors.

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20th Century Fox pays Elizabeth Taylor a record-breaking salary to play Cleopatra, then tries to save money by filming the movie in England. That turns out to be a disastrous decision. The weather doesn’t agree with Liz, who suffers one health problem after another, delaying production for months. Fox then faces the question: pull the plug on this movie... or fire the director and find someone new to save the picture?

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His studio was collapsing. His budget was skyrocketing. And his two stars were making headlines for all the wrong reasons. Those were just some of the headaches facing Joseph L. Mankiewicz, the director of one of the most expensive and infamous movies ever made: Cleopatra. With Mankiewicz calling the shots and the luminous Elizabeth Taylor in the title role, Cleopatra should have been a smash. Instead, it was a shoot plagued by medical emergencies, climate disasters and nervous breakdowns… not to mention Taylor's scandalous love affair with Richard Burton. This season, Ben Mankiewicz digs through his own family stories to understand how it turned out so badly for his Oscar-winning uncle. Cleopatra, a six-episode limited series, begins July 17.

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After being removed from a film and ruining his friendship with Henry Fonda, John Ford begins to openly challenge his previous work. He deconstructs the Western and, for the first time, makes films specifically about Indians and women. But his power in Hollywood dwindles, and he soon finds himself out of work, a living legend living off his savings. As Ford enters his 70s, his movies are rediscovered and he is showered with honors and accolades, even as he denies his own artistry every chance he gets. Though he does accept one major award... from none other than the President of the United States.

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At the height of his powers, John Ford directs his masterpiece, an anti-racist Western called The Searchers. It’s a movie of contradictions: John Wayne plays the hero, but he's driven by hate and revenge. He’s searching for his niece, with the intent to kill her. Behind the scenes, Ford continues to use Monument Valley as a generic backdrop for the West without once acknowledging that it’s sacred Navajo land. And while Ford considered himself a friend to the Navajos, his portrayal of Native Americans is fraught with stereotypes. But these damaging images were used in service of creating a complex, fascinating film that dared to condemn bigotry and has mesmerized generations of film fans.

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After D-Day, Ford goes on a historic bender then heads home... not to Hollywood but to Monument Valley, a secluded land with incredible scenery. There, he creates his own kingdom, a place he can work and create art without being under the thumb of studio executives. His stock company follows him from film to film, and Ford rewards his loyal subjects, but he’s not a kind ruler. He mercilessly picks on actors and pits them against each other, sometimes in the cruelest ways possible.

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This week, Ben traces the mystery of John Ford's missing D-Day documentary. The one time Ford talked about it, he claimed it was buried in a government film vault, too disturbing for public view. This sends Ben on a globe-trotting journey, following clues in the US, England and Russia. He encounters fellow seekers, as well as skeptics who question whether the footage was lost in battle… or if Ford made the whole thing up. But when new evidence comes to light, Ben's quest takes him to an unexpected final stop, where new revelations await.

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Ford is finally in the military and his first assignment is… to make a sex ed film for soldiers! Soon he sees real combat and is injured while filming the battle of Midway. He’s nursed back to health with the help of John Wayne, while his Midway movie wins an Oscar and becomes a favorite of President Roosevelt. Ford then recuts December 7th, a movie directed by his friend and colleague Gregg Toland, to make it less racist. It wins him yet another Oscar. The brass recruit Ford for the assignment of his career: to cover the largest invasion in history. Ford goes to Normandy Beach to film D-Day, but his film detailing the invasion goes missing.

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John Ford buys a yacht, where he cavorts, drinks and vacations. But he also keeps an eye on the looming threat in Europe, and uses his new vessel to enlist in the Naval Reserve. He rises through Hollywood and turns his friends into stars, including John Wayne – though he's increasingly abusive towards them on the set. As the ‘30s dissolve into the ‘40s, Ford directs a remarkable string of movies, winning back-to-back Oscars (though he doesn’t show up to the ceremonies). Then war breaks out, and he’s shipped overseas to cover the front.

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John Ford was born in Maine as Sean Aloysius O’Feeney… or so he says. His birth records say differently, and it would not be the last time he changes his name. As a child, he visits Ireland and falls in love with his heritage, and later fights at the University of Maine when confronted with an Irish slur. He rediscovers his long-lost brother Francis on the big screen and follows him to Hollywood, where he works as a stunt double until fibbing his way into directing. As silent movies transition to talkies, Ford befriends the man who would become his friend, his muse, and his enabler, a young football player named John Wayne.

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Meet John Ford, the curmudgeon with an eyepatch who just happened to be the greatest filmmaker of the 20th Century. Ford was a bully and a drunk who ruled Hollywood for five decades, making dozens of seminal movies – though he was incredibly hard to pin down. His behavior swung wildly from loyalty to cruelty, without notice. He won more Oscars than any director in history, but never showed up to accept an award. And he rewrote American history, painting the country with images so beautiful that people wished they were real. John Ford defined the attitudes of his time, ideas about masculinity and heroism that we're still grappling with today. Join host Ben Mankiewicz for a new season of The Plot Thickens, starting June 6.

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While we're hard at work on the next season of The Plot Thickens, we're excited to share Ben Mankiewicz's new podcast, Talking Pictures. The first guest on Talking Pictures is writer director Nancy Meyers (Something’s Gotta Give, It’s Complicated, The Holiday). Recorded at her home, Meyers talks about casting Jack Nicholson and Diane Keaton, getting script advice from Sunset Boulevard director Billy Wilder, and what it’s like to become famous for her interiors. Spoiler: it’s frustrating! Nancy Meyers also answers our Super 8 questionnaire and reveals which film had her running from the theater in absolute terror.

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We’re sharing a bonus episode from our friends at American Masters: Creative Spark, the PBS podcast that goes in-depth with an iconic artist about the creation of a single work. This episode is about John Waters, a filmmaker who loves to break the rules and make you laugh along the way. The iconoclast has been doing just that over the past six decades with provocative and perverse films like Pink Flamingos, Hairspray, and Female Trouble. Now enshrined as the king of transgressive cinema, Waters breaks down the creative process behind his first novel, Liarmouth: A Feel-Bad Romance.

This episode includes derogatory epithets used in an artistic context. Listener discretion advised.

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Film scholars Racquel Gates and Donald Bogle detail the rise and fall of Blaxploitation, and how Pam Grier transcended the genre and stayed iconic for decades afterwards.

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Legendary stunt performers Jadie David and Bob Minor go in-depth about their most dangerous stunts, working with Pam Grier, and breaking through as Black stuntpeople in the early 70s.

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Ben Mankiewicz speaks to TCM host and Director and President of The Academy Museum of Motion Pictures Jacqueline Stewart about Pam Grier's star image, the legacy of Blaxploitation, and meeting Pam at the TCM Classic Film Festival.

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