Poetry Unbound
- Épisodes
- 232
- Parution
- toutes les deux semaines
- Dernier épisode
- 13 Nov 2026
À propos du podcast
Short and unhurried, Poetry Unbound is an immersive exploration of a single poem, hosted by Pádraig Ó Tuama. Pádraig Ó Tuama greets you at the doorways of brilliant poems and walks you through — each one has wisdom to offer and questions to ask you. Already a listener? There’s also a book (Poetry Unbound: 50 Poems to Open Your World), a Substack newsletter with a vibrant conversation in the comments, and occasional gatherings.
Épisodes 232
Poetry Unbound in Conversation — Joseph Kidney
“... Waves, / to me, have always looked like the ocean petting / the beach. There there, it consoles. Hear hear, / I approve. As in it’s clear who domesticated who.” That’s a taste of Joseph Kidney’s work — …
Notes de l’épisode
“... Waves, / to me, have always looked like the ocean petting / the beach. There there, it consoles. Hear hear, / I approve. As in it’s clear who domesticated who.” That’s a taste of Joseph Kidney’s work — wry, poignant, keenly observant of the natural world — from one of the poems in his collection, Devotional Forensics, which received the 2026 Griffin Poetry Canadian First Book Prize. Kidney is also a scholar of Renaissance literature and lecturer at Stanford University. In this reflective conversation, he and Pádraig Ó Tuama speak about his appreciation of birds, the physicality and musicality that he strives to bring to his verse, and his love of “false etymlogies”.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Joseph Kidney is the author of the collection Devotional Forensics, which was published in 2025 by icehouse poetry and Goose Lane Editions. It received the 2026 Griffin Poetry Canadian First Book Prize. Kidney currently lectures at Stanford University in the U.S.
Find the transcript for this show at onbeing.org.
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Poetry Unbound Season 11 Announcement + “The Raven”
A new season of Poetry Unbound — its 11th! — will begin one month from now on Monday, November 30; episodes will be released on Mondays and Fridays. Before then, there will be two more Poetry Unbound In …
Notes de l’épisode
A new season of Poetry Unbound — its 11th! — will begin one month from now on Monday, November 30; episodes will be released on Mondays and Fridays. Before then, there will be two more Poetry Unbound In Conversation episodes. For now, in recognition of Halloween, Pádraig Ó Tuama reads aloud Edgar Allen Poe’s classic poem “The Raven.”
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Edgar Allen Poe was born in 1809 in Boston, and he was the son of actors. After being orphaned at the age of two, he was adopted by family in Virginia, the Allens. He worked as a writer and while he had some renown in his lifetime, he lived in poverty. His poem “The Raven” was published in 1845 to acclaim, and he died four years later in Baltimore at the age of 40. Poe is regarded as a major figure in world literature, primarily based on his ingenious and profound short stories, poems, and critical theories.
Find the transcript for this show at onbeing.org.
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Poetry Unbound in Conversation — Peter Coleman
This episode isn’t about poetry but about another kind of art: the art of conflict resolution. In a deeply practical conversation, Pádraig Ó Tuama sits down with Columbia University’s Peter Coleman, author of …
Notes de l’épisode
This episode isn’t about poetry but about another kind of art: the art of conflict resolution. In a deeply practical conversation, Pádraig Ó Tuama sits down with Columbia University’s Peter Coleman, author of The Way Out: How to Overcome Toxic Polarization and an expert in constructive conflict. Coleman shares advice for “the exhausted middle majority” — the large number of Americans fed up with our divided politics — on how to engage with others in ways that lead to openness and learning. He also talks about the surprising power of taking a walk with your challenger, the limitations of bringing together people from both sides, and the three factors that matter most when handling conflict.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Peter Coleman is a professor of psychology and education at Columbia University. He is an expert in constructive conflict resolution and sustainable peace, and he's particularly interested in how people can face and work with the conflicts of their lives and think about the systems of conflict we're in. He serves as the director of the Morton Deutsch International Center for Cooperation and Conflict Resolution and is the author of many books, including The Way Out: How to Overcome Toxic Polarization.
Find the transcript for this show at onbeing.org.
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Poetry Unbound in Conversation — Martín Espada
“Politics by themselves are necessary but not sufficient … [and] poetry by itself is necessary but not sufficient. We must find a way to bring them together,” says Martín Espada, a poet and professor. With …
Notes de l’épisode
“Politics by themselves are necessary but not sufficient … [and] poetry by itself is necessary but not sufficient. We must find a way to bring them together,” says Martín Espada, a poet and professor. With crystalline language, an all-seeing gaze, and innate musicality, he writes poems that show us the world and people as they are — sometimes violent, vicious, unjust, but also tender, tenacious, courageous. In this potent conversation recorded for the 2026 Greenbelt Festival in Kettering, England, he reads from his work, and he and Pádraig Ó Tuama discuss the resistance he’s met when mixing politics and poetry, his parents as influences and teachers, and how his writing (and editing) have changed over time.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Martín Espada was born and raised in Brooklyn, New York. He has written more than 20 books of poetry and nonfiction and translation. His collection Floaters won the National Book Award for Poetry, and he is a Professor of English at the University of Massachusetts at Amherst. His most recent collection is Jailbreak of Sparrows.
Find the transcript for this show at onbeing.org
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Poetry Unbound in Conversation — Amanda Quaid
After actor, dialect coach, and teacher Amanda Quaid was diagnosed with a serious illness in 2021, she responded by trying something new — she wrote poetry. She says, “I was looking for an art form that allowed …
Notes de l’épisode
After actor, dialect coach, and teacher Amanda Quaid was diagnosed with a serious illness in 2021, she responded by trying something new — she wrote poetry. She says, “I was looking for an art form that allowed me to be with uncertainty in a beautiful way.” The result is a captivating memoir-in-poetry, No Obvious Distress, that uses words and phrases from her medical charts to create verse that rings with laughter, tears, and truth. In this conversation recorded at New York City’s Morgan Library & Museum, Amanda reads from her book, and she and Pádraig Ó Tuama talk about the three principles that guided her through illness, her parenting a young child through this time, and her work with medical students, actors, and CEOs.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Amanda Quaid was raised in New York City, where she works as a dialect coach. She also teaches at the David Geffen School of Drama at Yale. After working in theatre for most of her life, Amanda began writing poetry as a way to work creatively with illness. Her debut collection, No Obvious Distress, is out now with John Murray Press and was named Memoir of the Month and one of the best books of 2025 by the British newspaper The Independent.
Find the transcript for this show at onbeing.org.
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Poetry Unbound in Conversation — Haleh Liza Gafori
Poet, translator, and musician Haleh Liza Gafori describes the revered 13th-century Persian poet Rumi as “a good pal to humanity”. As she puts it, “He's rooting for our liberation.” In this exuberant …
Notes de l’épisode
Poet, translator, and musician Haleh Liza Gafori describes the revered 13th-century Persian poet Rumi as “a good pal to humanity”. As she puts it, “He's rooting for our liberation.” In this exuberant conversation recorded for the 2025 Greenbelt Festival, she reads some of her translations, and she and Pádraig Ó Tuama illuminate the life of the man known as Rumi — his intense love of all things earthly and divine, the Islamic faith and universalist vision that flow through his work, and his life-changing connection with Shams, a Sufi mystic who catalyzed Rumi’s transformation from preacher to poet.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Haleh Liza Ghafori is a New York City-born translator, poet, and musician of Iranian descent. Her most recent book of translations of poetry by the 13th-century mystic Rumi is entitled Water and was released in April of 2025 by New York Review Books. Her first translation of Rumi was the acclaimed Gold, released in 2022, also by New York Review Books.
Find the transcript for this show at onbeing.org.
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Poetry Unbound in Conversation — Adrian Matejka
“For me, if a poem doesn't swing, it's really not much of a poem,” says Adrian Matejka, author of the collection Be Easy: New and Selected Poems. His work hums with music, from its references to David Bowie …
Notes de l’épisode
“For me, if a poem doesn't swing, it's really not much of a poem,” says Adrian Matejka, author of the collection Be Easy: New and Selected Poems. His work hums with music, from its references to David Bowie, Miles Davis, and others to its infectious rhythms, repetitions, and rhymes. In this lively conversation recorded in 2024 at the Wick Poetry Center in Ohio, he reads several poems, and he and Pádraig Ó Tuama talk about “the imaginary discotheque” that takes place in Adrian’s head when he writes, how metaphor and simile offer a third space for his ideas to reach people, and his intense interest in exploring “masculinities” in all their expressions and emotions.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Adrian Matejka is the author of many books of poetry, including most recently Be Easy: New and Selected Poems, which was published by W.W. Norton in 2026. He also serves as the editor of Poetry magazine, and he was poet laureate of the state of Indiana from 2018 to 2019.
Find the transcript for this show at onbeing.org.
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Poetry Unbound in Conversation — Karen Leeder
After listening to this exuberant interview, you’ll retire the phrase “lost in translation” from your vocabulary. Instead, writer and scholar Karen Leeder believes poetry can expand when translated, reaching …
Notes de l’épisode
After listening to this exuberant interview, you’ll retire the phrase “lost in translation” from your vocabulary. Instead, writer and scholar Karen Leeder believes poetry can expand when translated, reaching new audiences and gaining new layers of meaning. Karen joins Pádraig Ó Tuama in an interview recorded in 2025 after she and Durs Grünbein were co-awarded the Griffin Poetry Prize for her translation of Psyche Running, which Durs wrote. In addition to reading from her work, she explains what it’s like to translate a poet who is very much alive and why she thinks translation can help “explode” insularity and xenophobia.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Karen Leeder is a writer, scholar, and translator of contemporary German literature. She has received many accolades for her translations, including being co-awarded (with Durs Grünbein) the 2025 Griffin Poetry Prize for her translation of Psyche Running by Durs Grünbein. She is the Schwarz-Taylor Chair of the German Language and Literature at the University of Oxford.
Find the transcript for this show at onbeing.org.
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Poetry Unbound in Conversation — Richard Scott
“Poetry means paying attention in a different way to the world and seeing what wisdom you're given back in return for that attention,” says Richard Scott in this conversation with Pádraig Ó Tuama, recorded …
Notes de l’épisode
“Poetry means paying attention in a different way to the world and seeing what wisdom you're given back in return for that attention,” says Richard Scott in this conversation with Pádraig Ó Tuama, recorded during the 2025 Collective Trauma Summit. Richard’s second collection, That Broke Into Shining Crystals, features sequences that focus on two hypnotically compelling subjects: still-life paintings and crystals. From them, he’s created poems that thrum with music, memory, harm, and healing. Richard reads from his book, and he and Pádraig discuss the “surprising life” to be found in still lifes, the difference between the speaker vs. the poet, and how crystals — the beautiful result of “unimaginable” pressure and breakage — can offer us a way to think about trauma.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Richard Scott was born in London in 1981, and his debut collection, Soho, which came out in 2018, was a Gay's The Word Book of the Year, and it was shortlisted for the T.S. Eliot Prize and The Forward Prize for Best First Collection, and the Costa Poetry Award as well. His second poetry collection, That Broke into Shining Crystals, was published this year by Faber & Faber also. He's a lecturer in creative writing at Goldsmiths at the University of London, and he runs a poetry writing group there, and he also teaches poetry at the Faber Academy.
Find the transcript for this show at onbeing.org.
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Poetry Unbound in Conversation — Kimberly Campanello part 2 of 2
“It had to involve more than just a slim volume of verse,” says Kimberly Campanello about MOTHERBABYHOME, her ongoing visual poetry project which centers the 796 infants and children who died at the St. Mary's …
Notes de l’épisode
“It had to involve more than just a slim volume of verse,” says Kimberly Campanello about MOTHERBABYHOME, her ongoing visual poetry project which centers the 796 infants and children who died at the St. Mary's Mother and Baby Home in Tuam, in the west of Ireland, between 1926 and 1961. So it consists of 796 sheets of vellum with text from archival and contemporary sources that she’s shaped into a work that blends documentation and lamentation, reportage and rite. In this Zoom conversation between Kimberly and Pádraig Ó Tuama — part two of two — recorded in 2025, Kimberly reads an excerpt from MOTHERBABYHOME, and then she and Pádraig discuss whether all poets want to be priests and how poetry is the ultimate DIY activity. Or, as Kimberly puts it, “You don't have to learn an instrument to be a poet.”
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Kimberly Campanello is a poet, translator, and performance artist. Her most recent projects are the poetry collection An Interesting Detail, the novel Use the Words You Have, and MOTHERBABYHOME. She is Professor of Poetry at the University of Leeds.
Find the transcript for this show at onbeing.org.
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Poetry Unbound in Conversation — Kimberly Campanello part 1 of 2
“It's about seeing, through reading, whether where you are going has been or is now or will be written, or not.” This deliciously twisty line is from Kimberly Campanello’s ongoing versioning of Dante’s Inferno …
Notes de l’épisode
“It's about seeing, through reading, whether where you are going has been or is now or will be written, or not.” This deliciously twisty line is from Kimberly Campanello’s ongoing versioning of Dante’s Inferno, and as in that sentence, she is translating and reconfiguring the 700-year-old work of poetry to reflect her life, her family’s lives, your life, our life, and, indeed, our lives today. We are delighted to bring you this exhilarating conversation — part one of two — between Kimberly and Pádraig Ó Tuama that was recorded over Zoom in 2025. In addition to reading excerpts from her redone Dante, she and Pádraig talk about the English teacher who made an indelible impression on her, the roles of love and time in the Inferno, and how an early-onset Parkinson’s diagnosis has shaped her thinking and writing.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Kimberly Campanello's recent projects are the poetry collection An Interesting Detail, the novel Use the Words You Have, and MOTHERBABYHOME. She is Professor of Poetry at the University of Leeds.
Find the transcript for this show at onbeing.org.
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Poetry Unbound in Conversation — Rachel Mann and Yomi Ṣode
“Poetry should be horrifying,” says Rachel Mann. “It should be … on the edge of the edge of what could be said.” We are delighted to bring you this vibrant conversation featuring Rachel and Yomi Ṣode speaking …
Notes de l’épisode
“Poetry should be horrifying,” says Rachel Mann. “It should be … on the edge of the edge of what could be said.” We are delighted to bring you this vibrant conversation featuring Rachel and Yomi Ṣode speaking with Pádraig Ó Tuama at the 2024 StAnza Poetry Festival in Scotland. Rachel and Yomi each read poems, and then go on to discuss grace, who receives it, and who deserves it; the place of grief and remembrance in their work; and how writing about historical figures is a way to disrupt and re-vision both the past and the present.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Rachel Mann is a priest, writer, and broadcaster. Her second poetry collection, Eleanor Among the Saints, was published by Carcanet in January of 2024.
Yomi Ṣode is an award-winning Nigerian-British writer. His debut poetry collection, Manorism, was published by Penguin in October of 2022.
Find the transcript for this show at onbeing.org.
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Poetry Unbound in Conversation — Fady Joudah
From a young age, says Palestinian American poet and physician Fady Joudah, “I had such a fascination with the way the alphabet makes music in the mind.” We are thrilled to offer this thoughtful conversation …
Notes de l’épisode
From a young age, says Palestinian American poet and physician Fady Joudah, “I had such a fascination with the way the alphabet makes music in the mind.” We are thrilled to offer this thoughtful conversation between Pádraig and Fady, recorded when Fady received the 2024 Jackson Poetry Prize. Fady reads several poems — including two with the same name! — and speaks of how memory, time, history, faith, love, violence, and difference figure in his work. He says, “Ultimately for my existence as a Palestinian in the 20th or 21st century … I am also always, particularly in English, bridging a gap.”
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Fady Joudah is the author of six collections of poems and has translated several collections of poetry from Arabic. He is the editor and co-founder of the Etel Adnan Poetry Prize, and his most recent collection, [ … ], was published in 2024 by Milkweed Editions. This interview was recorded on the occasion of him receiving the 2024 Jackson Poetry Prize.
Find the transcript for this show at onbeing.org.
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Poetry Unbound in Conversation — Don McKay
“I still have the best three-point shot of any Canadian poet born before 1943” is one of the first things that acclaimed poet Don McKay says in this expansive and intimate exchange. We are thrilled to offer …
Notes de l’épisode
“I still have the best three-point shot of any Canadian poet born before 1943” is one of the first things that acclaimed poet Don McKay says in this expansive and intimate exchange. We are thrilled to offer this conversation between Padraig and Don, recorded from a virtual interview held on the occasion of Don receiving the 2024 Lifetime Achievement Award from the Griffin Poetry Prizes. After touching on his early devotion to basketball, Don speaks of his lifelong passion for geology and birds, how Newfoundland is considered “opera for geologists”, and why he favors membership over mastery when it comes to relating to Earth’s other living creatures.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Don McKay has published 10 previous works of poetry. He's been shortlisted twice for the Griffin Poetry Prize, and in 2024 won the Lifetime Achievement Award from the Griffin Poetry Prizes. He lives in Newfoundland, Canada.
Find the transcript for this show at onbeing.org.
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Poetry Unbound Bonus — Walter de la Mare
Host Pádraig Ó Tuama shares “The Listeners” by Walter de la Mare, a favorite childhood poem of his, and offers an audio postscript to Season 10 of Poetry Unbound. Later in 2026, he will bring us more Poetry …
Notes de l’épisode
Host Pádraig Ó Tuama shares “The Listeners” by Walter de la Mare, a favorite childhood poem of his, and offers an audio postscript to Season 10 of Poetry Unbound. Later in 2026, he will bring us more Poetry Unbound to look forward to — find out what and when here. In the meantime, you can listen to past episodes of Poetry Unbound or to new episodes of On Being with Krista Tippett, out now.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Walter de la Mare was born on April 25, 1873, in London. He is the author of numerous books, including The Veil and Other Poems (Constable & Company, 1921) and The Listeners (Constable & Company, 1912). He died on June 22, 1956, in Twickenham, England.
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Leonard Cohen — Book of Mercy “I,8”
Have you ever watched, in awe, as a skilled gymnast or skater lifts off and completes a dizzying number of revolutions in less than a second before landing safely back down? That’s how you may feel upon reading …
Notes de l’épisode
Have you ever watched, in awe, as a skilled gymnast or skater lifts off and completes a dizzying number of revolutions in less than a second before landing safely back down? That’s how you may feel upon reading the great Leonard Cohen’s urgent, dreamlike poem “I, 8” from Book of Mercy. In his telling of a man’s fall “from his high place” into “disgrace”, Cohen sends us on a short, 206-word journey that seamlessly weaves together narration, fiction, meditation, devotion, and prayer.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Leonard Cohen had an artistic career that began in 1956 with the publication of his first book of poetry, Let Us Compare Mythologies. He published two novels, The Favourite Game and Beautiful Losers, and 10 books of poetry, most recently Stranger Music: Selected Poems and Songs and Book of Longing. During a recording career that spanned almost 50 years, he released 14 studio albums, the last of which, You Want It Darker, was released in 2016. Cohen was inducted into the Rock and Roll Hall of Fame in 2008, received a Grammy Lifetime Achievement Award in 2010, and was awarded the Glenn Gould Prize in 2011. He died on November 7, 2016.
Find the transcript for this show at onbeing.org.
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Billy-Ray Belcourt — Subarctica
Will you leave this episode feeling uplifted, envious, curious, or something else entirely? Yes. Billy-Ray Belcourt’s poem “Subarctica” transports you to a vividly specific time — “the coldest December / on …
Notes de l’épisode
Will you leave this episode feeling uplifted, envious, curious, or something else entirely? Yes. Billy-Ray Belcourt’s poem “Subarctica” transports you to a vividly specific time — “the coldest December / on record, I haven’t left my mother’s / house in over a week” — where the primary view is of poplars in “a tiny schoolyard”. Amid the simplicity and snow, the speaker shifts their perspective, seeing beyond their past and towards the wonder in their present and in what is to come.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Billy-Ray Belcourt is a writer from the Driftpile Cree Nation. He is the author of six books, including the Griffin Poetry Prize-winning debut This Wound Is a World. Belcourt serves as the Canada Research Chair in Queer Indigenous Cultural Production at the University of British Columbia and also edits poetry for Hazlitt.
Find the transcript for this show at onbeing.org.
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Ruth Irupé Sanabria — Carne
Ruth Irupé Sanabria’s delicious and dexterous “Carne” begins with these lines: “I've eaten pork from / pernil to chuletas to chitterlings.” And just in case you were wondering — and even if you’re not — the …
Notes de l’épisode
Ruth Irupé Sanabria’s delicious and dexterous “Carne” begins with these lines: “I've eaten pork from / pernil to chuletas to chitterlings.” And just in case you were wondering — and even if you’re not — the speaker goes on to list much more of the seafood, poultry, and animal parts that have been consumed and how they were cooked. Lest you think this poem is simply a meat-eater’s manifesto, savor its final turn towards what else the speaker is really hungry for.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Ruth Irupé Sanabria’s first collection of poetry, The Strange House Testifies, was published by Bilingual Review Press. Her second collection, Beasts Behave in Foreign Land, received the Letras Latinas/Red Hen Press Prize. She is a Dodge Poet, a CantoMundo Fellow, and holds an MFA in poetry from NYU. She works as a high school English teacher in New Jersey.
Find the transcript for this show at onbeing.org.
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Lena Khalaf Tuffaha — Dukka
Loving in the face of violence, danger, and distress is an act of defiance, as demonstrated in Lena Khalaf Tuffaha’s achingly beautiful poem “Dukka”. The Palestinian American writer spotlights seven aspects of …
Notes de l’épisode
Loving in the face of violence, danger, and distress is an act of defiance, as demonstrated in Lena Khalaf Tuffaha’s achingly beautiful poem “Dukka”. The Palestinian American writer spotlights seven aspects of love in action — between father and newborn, for example, a journalist and her audience, a pair of intimates dining out. She shows us the “million ways to love” flowing through her community and cascading through generations, centuries, millennia, as inexorable and constant as the ocean and as bright and surprising as a rare meteor shower.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Lena Khalaf Tuffaha is a poet, essayist, and translator. She is author of three books of poetry: Something About Living (The University of Akron Press, 2024), winner of the 2024 National Book Award for Poetry and the 2022 Akron Poetry Prize; Kaan & Her Sisters (Trio House Press), finalist for the 2024 CLMP Firecracker Award and honorable mention for the 2024 Arab American Book Award; and Water & Salt (Red Hen Press), winner of the 2018 Washington State Book Award and honorable mention of the 2018 Arab American Book Award. She is also the author of two chapbooks: Arab in Newsland, winner of the 2016 Two Sylvias Press Chapbook Prize, and Letters from the Interior, finalist for the 2020 Jean Pedrick Chapbook Prize.
Find the transcript for this show at onbeing.org.
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Rachel Mann — #TDOR
Rachel Mann’s “#TDOR” manages to turn a depiction of one side of a conversation about marking Trans Day of Remembrance into a poem that is both empathic and uncompromising. Mann captures the verbal stammers and …
Notes de l’épisode
Rachel Mann’s “#TDOR” manages to turn a depiction of one side of a conversation about marking Trans Day of Remembrance into a poem that is both empathic and uncompromising. Mann captures the verbal stammers and stumbles of the well-meaning but leaves us to reckon whether the words land as mirror, mockery, or cry for action.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Rachel Mann is a priest, writer, and broadcaster. She is the author of 13 books, including her debut poetry collection, A Kingdom of Love, and the acclaimed nonfiction, Fierce Imaginings: The Great War, Ritual, Memory, and God. She is a Visiting Teaching Fellow at Manchester Writing School and broadcasts regularly, including as a contributor to Thought For The Day.
Find the transcript for this show at onbeing.org.
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Sanah Ahsan — Ramadan’s Greeting
Sanah Ahsan’s evocative “Ramadan’s Greeting” brings us into the thoughts and experiences of a person observing the holiest month in Islam. In nine brief couplets, the poet deftly directs our attention towards …
Notes de l’épisode
Sanah Ahsan’s evocative “Ramadan’s Greeting” brings us into the thoughts and experiences of a person observing the holiest month in Islam. In nine brief couplets, the poet deftly directs our attention towards some of the rich contrasts that emerge at this time — between light and dark, desire and abstinence, self and community — as well as the abiding satisfactions and joys.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Sanah Ahsan is a poet, liberation psychologist, and educator. Sanah’s work plays in the wild terrain of woundedness, the sacred landscapes of falling apart, centering compassion and embracing each other's madness. Their work draws on therapeutics, psychospirituality, embodiment, and poetics as life-affirming practices. Some of Sanah’s media work includes writing for The Guardian, delivering a TEDx Talk, and presenting a Channel 4 documentary on the overmedicalization of people’s distress. Sanah is working on a nonfiction book about the politics of distress, and society’s relationship with unruly emotions. As a poet, Sanah won the Out-Spoken Poetry Performance Prize and has been shortlisted for the Queen Mary Wasafiri New Writing Prize, The White Review Poetry Prize, and Bridport Poetry Prize. Sanah’s debut poetry collection, I cannot be good until you say it, is a meditation on Islam, queerness, and goodness. It was shortlisted for The Forward Prize for Best First Collection and Polari Prize, and selected as one of The Guardian’s Best Poetry Books.
Find the transcript for this show at onbeing.org.
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Kevin Hart — Prayer
“O come, in any way you want” is the first line in Kevin Hart’s marvelous, mystical “Prayer”. So come to this poem — whether for its deliciously sensual language (“bouts of rain”, “wind that wraps”, “raw and …
Notes de l’épisode
“O come, in any way you want” is the first line in Kevin Hart’s marvelous, mystical “Prayer”. So come to this poem — whether for its deliciously sensual language (“bouts of rain”, “wind that wraps”, “raw and ragged smells / [o]f gumleaves”, and more), its air of mystery, or its unabashed aching for a “you” — and then linger for a while. Stay with it, or let it stay with you, and see what emerges.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Kevin Hart's most recent collections of poetry are Firefly (Pitt St. Poetry, 2026) and Carnets (Cascade, 2025). Other collections include Wild Track: New and Selected Poems (Notre Dame UP, 2015) and Barefoot (Notre Dame UP, 2018). A collection of new selected poems, 101 Poems, is forthcoming from Pitt St. Poetry. He teaches at Duke University in Durham, NC.
Find the transcript for this show at onbeing.org.
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Harryette Mullen — LUVTOFU
Too many of us left high school thinking that a poem could be taken seriously only if it was difficult to understand, subdued in its use of rhyme and alliteration, and addressed lofty topics. Harryette Mullen’s …
Notes de l’épisode
Too many of us left high school thinking that a poem could be taken seriously only if it was difficult to understand, subdued in its use of rhyme and alliteration, and addressed lofty topics. Harryette Mullen’s saucy, suggestive “LVTOFU” bulldozes through convention, all the while revelling in its own rhythms, references, and humor.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Harryette Mullen is the author of eight books of poetry, including Urban Tumbleweed, Recyclopedia, and Sleeping with the Dictionary, which was a finalist for the National Book Award, the National Book Critics Circle Award, and the Los Angeles Times Book Prize. She is Professor of English and African American Studies at the University of California-Los Angeles.
Find the transcript for this show at onbeing.org.
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Stewart Henderson — How To Speak Love In A Storm?
What is there to say or do when the life of a loved one has been upended and devastated? Stewart Henderson’s poem “How To Speak Love In A Storm?” offers a tender masterclass in how you can accompany someone — …
Notes de l’épisode
What is there to say or do when the life of a loved one has been upended and devastated? Stewart Henderson’s poem “How To Speak Love In A Storm?” offers a tender masterclass in how you can accompany someone — or even just yourself — through a time of tumult and pain.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Stewart Henderson is a Liverpool-born, best-selling poet, song lyricist, and award-winning broadcaster. He has published over a dozen poetry collections, including A Poet’s Notebook: with new poems, obviously (2018), Urban Angel (2000), and Assembled in Britain (1986). Henderson has also authored three volumes of poetry for children, with poems from those books included on the UK National Education Curriculum. He hosted the program Questions, Questions on BBC Radio 4 for eight years.
Find the transcript for this show at onbeing.org.
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Dante Micheaux — Theologies for Korah
Dante Micheaux’s rich and rollicking poem “Theologies for Korah” is written on the occasion of an infant’s baptism, but it’s anything but baby talk or bland instruction. Religious figures, rites, and symbols …
Notes de l’épisode
Dante Micheaux’s rich and rollicking poem “Theologies for Korah” is written on the occasion of an infant’s baptism, but it’s anything but baby talk or bland instruction. Religious figures, rites, and symbols are proffered, not as liturgy or lore to be swallowed whole, eyes shut, but as people, stories, and ideas that cry out to be seen, played with, and engaged with.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Dante Micheaux is the author of Circus, which won the Four Quartets Prize from the Poetry Society of America and the T. S. Eliot Foundation, and Amorous Shepherd. His poems and translations have appeared in African American Review, The American Poetry Review, Callaloo, Literary Imagination, Poem-A-Day, Poetry, and Tongue, among other journals and anthologies. Micheaux’s other honors include the Oscar Wilde Award, an Amy Clampitt Residency, the Ambit Prize, and a fellowship from The New York Times Foundation. He is a Fellow and Artistic Director at Cave Canem Foundation. Micheaux’s most recent work is the libretto, Sky in a Small Cage.
Find the transcript for this show at onbeing.org.
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Oksana Maksymchuk — Arguments for Peace
“How could there be a war in this city?” is the plaintive question that starts Oksana Makysymchuk’s “Arguments for Peace”. Like ours, the world of her poem holds both the “goodness of the universe” and “a …
Notes de l’épisode
“How could there be a war in this city?” is the plaintive question that starts Oksana Makysymchuk’s “Arguments for Peace”. Like ours, the world of her poem holds both the “goodness of the universe” and “a foreign leader / warning of invasion”. She offers no pat answers for what to do in the face of conflict — just a dizzying sense of disbelief and the deep desire to hold tight to the people and life around us.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Oksana Maksymchuk is a bilingual Ukrainian American poet, scholar, and translator. She is the author of poetry collections Xenia and Lovy in Ukrainian. She coedited Words for War: New Poems from Ukraine, an anthology of contemporary poetry and has published a few single-author volumes of translations. Born and raised in Lviv, Ukraine, she has also lived in Chicago, Philadelphia, Budapest, Berlin, Warsaw, and Fayetteville, Arkansas. She currently teaches at the University of Chicago.
Find the transcript for this show at onbeing.org.
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Armen Davoudian — Coming Out of the Shower
In Armen Davoudian’s casually intimate poem “Coming Out of the Shower”, mother and son perform their morning routines in the small, shared space of their household’s only bathroom. She chats and puts on her …
Notes de l’épisode
In Armen Davoudian’s casually intimate poem “Coming Out of the Shower”, mother and son perform their morning routines in the small, shared space of their household’s only bathroom. She chats and puts on her makeup, while he showers and uses her shampoo and robe — oh what rhythm, affection, and ease are to be seen in this dance they both know so well.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Armen Davoudian has an MFA from Johns Hopkins University, and is currently a PhD candidate in English at Stanford University. His poems and translations from Persian appear in Poetry Magazine, the Hopkins Review, the Yale Review, and elsewhere. His chapbook, Swan Song, won the Frost Place Competition. Armen grew up in Isfahan, Iran, and currently lives in California.
Find the transcript for this show at onbeing.org.
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Orlando Ricardo Menes — Grace
Some religions and some people have very specific ideas about “grace”, and that includes poet Orlando Ricardo Menes. In the carefully constructed “Grace”, he manages to both demystify and remystify what grace …
Notes de l’épisode
Some religions and some people have very specific ideas about “grace”, and that includes poet Orlando Ricardo Menes. In the carefully constructed “Grace”, he manages to both demystify and remystify what grace is, leaving us with the possibility that at any moment or no moment it could pour down and quench us all. Intrigued? Confused? Give this episode a listen.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Orlando Ricardo Menes teaches in the Creative Writing Program at the University of Notre Dame, where he is a professor of English. He is also the author of several other works of poetry, including Memoria, Fetish, and Heresies. He lives in South Bend, Indiana.
Find the transcript for this show at onbeing.org.
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Cyrus Cassells — Jasmine
In fewer than two dozen lines, Cyrus Cassells’s poem “Jasmine” offers readers a multisensory, cinematic immersion into late spring life in Rome. Not only is the “sweet, steady broadcast” of jasmine ever-present …
Notes de l’épisode
In fewer than two dozen lines, Cyrus Cassells’s poem “Jasmine” offers readers a multisensory, cinematic immersion into late spring life in Rome. Not only is the “sweet, steady broadcast” of jasmine ever-present amid “the joyous braiding of sun and rain”, but there’s also Daria, a “crone-glorious” neighbor, with a story about her romance with the gallant Galliano. It’s la dolce vita, without overindulgence or artifice.
We invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.
Cyrus Cassells, former poet laureate of Texas, is the author of 11 books of poetry, including Is There Room for Another Horse on Your Horse Ranch? (2024), The World That the Shooter Left Us (2022), and More Than Watchmen at Daybreak (2020). Cassells’s honors include the 2025 Jackson Poetry Prize from Poets & Writers, a Guggenheim fellowship, a Lambda Literary Award, a Lannan Literary Award, an NAACP Image Award nomination, a National Poetry Series selection, two NEA grants, two Pushcart Prizes, and the Poetry Society of America’s William Carlos Williams Award. He is a Regents’ and University Distinguished Professor of English at Texas State University.
Find the transcript for this show at onbeing.org.
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W.S. Merwin — For The Anniversary of My Death
W.S. Merwin’s “For The Anniversary of My Death” is a slim, precise poem — just 13 lines made up of 84 words — about the very weightiest of subjects, one’s future death. With it, Merwin has crafted an elegant …
Notes de l’épisode
W.S. Merwin’s “For The Anniversary of My Death” is a slim, precise poem — just 13 lines made up of 84 words — about the very weightiest of subjects, one’s future death. With it, Merwin has crafted an elegant vessel, a small and sturdy container to hold some of life’s big questions, uncertainties, and feelings. Are you ready to gaze at it, grasp it, sit with it? And as you contemplate death, he gently reminds, remain here — where there’s rain, birdsong, and life right in front of you.
W.S. Merwin was born in New York City in 1927 and attended Princeton University on a scholarship. He worked as a tutor and freelance translator before publishing his first collection of poetry, A Mask for Janus (1952), which won the Yale Series of Younger Poets award, selected by W.H. Auden. He won the Pulitzer Prize for Poetry twice — for The Carrier of Ladders (1971) and for The Shadow of Sirius (2008). In 2005, he won the National Book Award for Migration: New and Selected Poems. Merwin also served as a chancellor of the Academy of American Poets and two terms as the U.S. poet laureate, among numerous other awards and honors. He died in 2019 at his home on the island of Maui, Hawaii, at the age of 91.
Find the transcript for this show at onbeing.org.
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