114: The Devil's Backbone with Monica Castillo
Shownotes
Phil and Emily are joined by Monica Castillo, film critic for The A.V. Club, to open a Halloween-season mini-series on all five of Guillermo del Toro's 2000s films with The Devil's Backbone (2001). In the last week of the Spanish Civil War, twelve-year-old Carlos is left at a remote orphanage run by Carmen (Marisa Paredes) and Dr. Casares (Federico Luppi), where an unexploded bomb sits in the courtyard, the groundskeeper Jacinto (Eduardo Noriega) is hunting for hidden Republican gold, and a drowned boy named Santi is still whispering in the halls. It opened against Harry Potter and Monsters, Inc. and made $6.5 million on a $4.5 million budget, and Phil is watching it for the first time.
The three dig into why del Toro's ghosts are sad rather than shock machines (Ebert's line that ghosts should have their reasons comes up more than once), the Carlos-and-Santi chase at the midpoint as one of the scariest sequences in his whole filmography, and the film's argument that the real monster is the man with the keys, not the boy in the water. They also get into the limbo-water fetus jars, the 19th-century ghost story bones under the Civil War setting, and how this movie sets up Pan's Labyrinth five years early. There's a real case here for The Devil's Backbone as the purest version of what del Toro does: a haunting where the injustice is the point and the ghost is just asking for it to be seen. Mournful, beautiful, and quietly furious. Same as the movie. Next week: Blade II with Roxana Hadadi.
Follow the show & guest:
Podcast Like It's... - https://www.instagram.com/podcastlikeits
Phil Iscove - https://www.instagram.com/pmiscove
Emily St. James - https://www.instagram.com/emilystjams
Monica Castillo - https://www.instagram.com/mcastimovies
💜 Patreon (bonus episodes & video): http://patreon.com/Podcastlikeits
The three dig into why del Toro's ghosts are sad rather than shock machines (Ebert's line that ghosts should have their reasons comes up more than once), the Carlos-and-Santi chase at the midpoint as one of the scariest sequences in his whole filmography, and the film's argument that the real monster is the man with the keys, not the boy in the water. They also get into the limbo-water fetus jars, the 19th-century ghost story bones under the Civil War setting, and how this movie sets up Pan's Labyrinth five years early. There's a real case here for The Devil's Backbone as the purest version of what del Toro does: a haunting where the injustice is the point and the ghost is just asking for it to be seen. Mournful, beautiful, and quietly furious. Same as the movie. Next week: Blade II with Roxana Hadadi.
Follow the show & guest:
Podcast Like It's... - https://www.instagram.com/podcastlikeits
Phil Iscove - https://www.instagram.com/pmiscove
Emily St. James - https://www.instagram.com/emilystjams
Monica Castillo - https://www.instagram.com/mcastimovies
💜 Patreon (bonus episodes & video): http://patreon.com/Podcastlikeits