
The Sword and the Silk: The Chevalier d'Éon
Shownotes
London bet a fortune on whether the Chevalier d'Éon was a man or a woman. She never answered. She just got dressed.
Tonight, drift off to the story of Charles-Geneviève d'Éon de Beaumont, born in Tonnerre, Burgundy, in 1728: a spy in Louis XV's secret network, a wounded captain of dragoons, a diplomat who helped end the Seven Years' War and then refused to go home, holding the king's own invasion plans as insurance. When a new king sent the playwright Beaumarchais to get them back, the price of the deal was strange: d'Éon would be recognized as a woman and must live as one for the rest of her life. Dressed by Marie Antoinette's own dressmaker, presented at Versailles in 1777, mocked, impoverished by the Revolution, she returned to London and earned her living fencing in a black silk gown, beating men half her age before the Prince of Wales, with the Cross of Saint Louis pinned over her heart. She died in a small room in Holborn in 1810, nursed by a widow named Mrs. Cole, and rests under the plane trees at St Pancras Old Church.
You'll walk through a blue-green spring rising from limestone, candlelight on Russian snow, coffee-house London loud with wagers, a dressmaker's rooms full of silk and pins, the ring of steel in a fencing hall, and a warm bed near a window at the end.
The story is told twice: once at a natural pace, then again slowly, with long pauses, to carry you into sleep.
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