The Daily

The approach to this year’s midterms has brought two hugely consequential changes to voting for Black Americans: the gutting of the Voting Rights Act, and redistricting. In the wake of those actions, efforts are underway to mobilize Black voters in the South.

In Mississippi, the Senate battle is being seen as a sleeper race, and the Black Democrat running has a chance of flipping the seat, but state lawmakers are trying to redraw the maps and do away with their one majority Black district.

Today, Emily Cochrane, a reporter covering the American South for The New York Times, addresses the implications for voters across the region — not just in the midterms, but for years to come.

Guest: Emily Cochrane, a national reporter for The New York Times covering the American South.

Background reading: 

• Black Democratic candidates running in the South have implored Black voters to go to the polls in response to the gutting of the Voting Rights Act.
• High-profile Democrats across the country have some hope in Scott Colom’s bid for a seat in the Senate.

Photo: Anna Foley/The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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Israelis head to the polls next week. On the ballot is the future of a country that has become isolated on the world stage, because of both its war in Gaza and a growing outcry over settler violence in the West Bank.

David M. Halbfinger, the Jerusalem bureau chief for The New York Times, explains how Prime Minister Benjamin Netanyahu differs from his biggest challenger.

Guest: David M. Halbfinger, the Jerusalem bureau chief for The New York Times.

Background reading: 

• Here’s why Palestinians hope Israelis will oust Netanyahu in pivotal election.
• President Trump endorsed Netanyahu as best U.S. partner in the Israeli election.

Photo: Amir Cohen/Reuters; Ariel Schalit/Associated Press

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

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The economy is one of the most important issues for voters in the midterm elections. President Trump has been trying to persuade Americans that they are wrong to be frustrated about the cost of living.

Ben Casselman, the chief economics correspondent for The New York Times, explains what the latest economic data actually says.

Guest: Ben Casselman, the chief economics correspondent for The New York Times.

Background reading: 

• Three charts that explain the economy as voters head to the polls.
• Higher energy prices lift U.S. inflation ahead of the midterms.

Photo: Yuki Iwamura/Associated Press

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

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The comedian Nathan Fielder came to fame as the creator and host of the Comedy Central series “Nathan for You.” The show followed Fielder as he devised outrageous schemes, ostensibly with the aim of helping various small businesses. What became clear, though, was that Fielder was less interested in helping business owners generate profits than he was in understanding the people ensnared in his plots. His next project, the HBO series “The Rehearsal,” was a similar offbeat portrait of offbeat people. At the center of both projects is Fielder himself, a documentarian whose motives can sometimes be hard to parse.

This week, Fielder’s first feature-length documentary, “You Can See Everything,” hits theaters. Co-directed by Lance Oppenheim, the movie shows Fielder embedding himself into the life of the disgraced Theranos founder and felon Elizabeth Holmes in the days leading up to her imprisonment for fraud. The film caused a big splash when it debuted at the Telluride Film Festival, in part because it presents Holmes, a mysterious and compelling cultural figure, through the eyes of Fielder, a mysterious and compelling filmmaker.

This week, the Times movie critic Alissa Wilkinson and critic at large Jason Zinoman, who covers comedy, join Michael Barbaro for a spoiler-free discussion of Nathan Fielder, his career, and why he might be the perfect person to tell the story of Elizabeth Holmes.

On Today’s Episode

Alissa Wilkinson, a movie critic at The New York Times.

Jason Zinoman, a critic at large for the Culture section of The New York Times.

Background Reading

• ‘The Real World’ and Nathan Fielder can both thank this cult filmmaker.
• ‘You Can See Everything,’ if you could only secure a ticket.

Photo: A24, via Associated Press

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

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The longtime friends and creative partners on what U2 still means — and what would make them call it quits.

• Thoughts? Email us at [email protected]
• Watch our show on YouTube: youtube.com/@TheInterviewPodcast
• For transcripts and more, visit: nytimes.com/theinterview

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

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A dramatic pop music comeback story is underway: Celine Dion is performing again.

In 2022, Dion, the renowned Canadian singer, announced that she had stiff person syndrome, a rare and incurable neurological disorder that causes painful muscle spasms and affects roughly one in a million people. The announcement came as a shock to her fans, and in a raw and revealing documentary released in 2024, “I Am: Celine Dion," she shared her struggle to overcome her condition, and sing again. But Dion worked her way back to performing, and is now appearing in a run of sold out shows in Paris.

The culture reporter Elisabeth Vincentelli was there on opening night, and in this episode of “The Sunday Daily,” she talks with our host Natalie Kitroeff about the remarkable comeback of Celine Dion.

On Today’s Episode:

• Elisabeth Vincentelli, an arts, culture, and theater journalist.

Background Reading:

• Celine Dion Is Back Onstage. Naturally, She Chose Paris.
• Paris Really, Really Loves Celine Dion

Photo credit: Clementine Schneidermann for The New York Times.

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

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If you dine out regularly, you might have noticed some changes in restaurants over the past few years. Perhaps you’ve found yourself ordering at a counter, scanning a QR code to see the menu, or eating … a lot more soft serve.

These changes aren’t just trends. Brett Anderson, a New York Times food reporter, says they are restaurant owners’ desperate attempts to stay afloat in an industry in crisis. According to a report from the National Restaurant Association, 42 percent of restaurant owners said they weren’t profitable in 2025. Many of them were at serious risk of closing.

In this episode of “The Sunday Daily,” Brett talks with our host Michael Barbaro about the economic realities that are forcing businesses to rethink the entire concept of a restaurant, including a radical experiment at one Minneapolis diner that stopped charging for food entirely.

On Today’s Episode:

• Brett Anderson, a reporter for the Food section of The New York Times.

Background Reading:

• This Restaurant Stopped Charging for Food. And Profits Are Up.

• The Restaurant List 2026

  Photo credit: Caroline Yang for The New York Times. 

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

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The turn of the century was the beginning of a new era in television: prestige TV for the masses. Today, television is where big stars and innovative creators go to marshal sizable budgets and tell meaningful stories.

Over recent months, our colleagues at The New York Times ran a survey, asking industry insiders — on-screen talent, writers, directors, producers, executives and others — to pick their top 10 television series of the last 26 years. We compiled their responses into a list, published this week, of the best TV of the 21st century.

In this episode of “The Sunday Daily,” The Times’s canon editor, Gilbert Cruz, and our chief TV critic, James Poniewozik, talk with our host Natalie Kitroeff about what made the list, and what didn’t.

On Today’s Episode

James Poniewozik is The New York Times’s chief TV critic.

Gilbert Cruz is the canon editor at The New York Times.

Background Reading

• The 100 Best TV Shows of the 21st Century
• The 100 Best TV Shows of the 21st Century: Cast Your Vote
• The 100 Best TV Shows of the 21st Century: How Stars, Creators and Other TV Lovers Voted

Photo: The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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For the first time in centuries, the Bayeux Tapestry — a nearly 1,000-year-old piece of embroidery that depicts the invasion of England by William the Conqueror in 1066 — is on display in Britain.

It was long said by art experts to be too fragile to move. But in a development that required geopolitical persuasion, this summer the tapestry made its way from Bayeux, France, to the British Museum in London.

When the first block of tickets went on sale, the British Museum said, over 80,000 people at a time waited online to buy them.

In this episode of the “Sunday Daily,” Alex Marshall, a culture reporter for The New York Times, talks with host Michael Barbaro about why this ancient piece of embroidery matters so much to the British public.

On Today’s Episode:

Alex Marshall is a European culture reporter for The New York Times, based in London.

Background Reading:

• How to See a Bayeux Tapestry — Without Going to the British Museum
• A Nation Gripped by ‘Bayeux Fever’ Finally Gets to See the Tapestry

Photo credit: Kin Cheung for Associated Press.

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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When it comes to movies we love, there are the artistic masterpieces and there are the foot-stomping crowd pleasers. But there’s another particular kind of beloved movie, the one that makes our friends groan, but that we rewatch incessantly; the one that we can quote line for line, even as we giggle at the actors’ performances; the one that we’d say is great, but that we might not say is good. These are the kinds of movies that Maya Salam, a pop culture writer at The New York Times, covers in her monthly column, The Good-Bad.

This episode is a celebration of good-bad movies, timed to the release of “Practical Magic 2,” the long-awaited sequel to the 1998 cult film that Salam called “a bubbling cauldron of plot holes and tones.” Our host Rachel Abrams talks to Salam about the joys of loving a movie despite (or because of) its flaws. Then, they’re joined by The Times’s canon editor, Gilbert Cruz, and Taffy Brodesser-Akner, a Times Magazine writer, to discuss the best of good-bad cinema.

On Today’s Episode:

Maya Salam covers pop culture for The New York Times.

Gilbert Cruz is the canon editor for The New York Times.

Taffy Brodesser-Akner is a features reporter for The New York Times Magazine.

Background Reading:

• The Good-Bad
• Why Loving Good-Bad Movies Feels All Good

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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This week marks the start of the Gustavo Dudamel era in New York.

The superstar conductor was just 28 when he became the musical director of the Los Angeles Philharmonic in 2009. A native of Venezuela and a product of its El Sistema musical training program, Dudamel quickly established himself not just as a great conductor, but also as a cultural force of nature. In his time in Los Angeles, he expanded the Philharmonic’s repertoire, created a successful youth outreach program, won prestigious awards and ingratiated himself with Hollywood elite.

Now, after 17 years in Los Angeles, Dudamel is taking the helm at one of the world’s most famous and storied orchestras: the New York Philharmonic. It’s a job once held by Leonard Bernstein, and Dudamel is hoping to follow in Bernstein’s footsteps to make the Philharmonic and the music that it plays a bigger part of the pop culture landscape.

On today’s episode, Joshua Barone, who covers classical music for The Times, discusses Dudamel, what he’s accomplished and the high hopes for his tenure with the New York Philharmonic.

Music Featured (in order of appearance, all conducted by Gustavo Dudamel):

• Johann Strauss, Tik-Tak Polka, Polka Schnell, Op. 365, Weiner Philharmoniker (Sony Music Entertainment)
• Dmitri Shostakovich, Festive Overture, Op. 96, Simón Bolívar Youth Orchestra (Deutsche Grammophon)
• Gustav Mahler, Symphony No. 5 in C-Sharp Minor IV. Adagietto, Berlin Philharmonic (Berlin Philharmonic Recordings)
• Antonin Dvorak, Symphony No. 8 in G Major, Op. 88, B. 163, III. Allegretto grazioso- Molto vivace, Los Angeles Philharmonic (Deutsche Grammophon)
• John Williams, “The Imperial March” (From “Star Wars: Episode V — The Empire Strikes Back”), Los Angeles Philharmonic (UMG Recordings, Inc)
• John Adams, “En un Día de Amor Yo Bajé Hasta la Tierra,” The Gospel According to the Other Mary, Los Angeles Master Chorale and Los Angeles Philharmonic (Deutsche Grammophon)
• Gabriela Ortiz, “Kauyumari,” Los Angeles Philharmonic (Platoon)
• Ludwig Beethoven, Symphony No. 7 in A Major, Op. 92, IV. Allegro con brio, Simón Bolívar Youth Orchestra (Deutsche Grammophon)
• Thomas Adès, “XII. The Thieves — devoured by reptiles,” Dante, Los Angeles Master Chorale and Los Angeles Philharmonic (Nonesuch Records)
• Ludwig Beethoven, Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio, Simón Bolívar Youth Orchestra (Deutsche Grammophon)
• Ludwig Beethoven, Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio, Simón Bolívar Symphony Orchestra (self-released)
• Leonard Bernstein, “End Credits” and “The Dance at the Gym: Mambo,” from “West Side Story” (Original Motion Picture Soundtrack), Los Angeles Philharmonic and New York Philharmonic (Hollywood Records)

On Today’s Episode:

Joshua Barone is an editor for the Culture section of The New York Times who works on classical music and dance coverage. He also writes criticism about classical music and opera.

Background Reading:

• Gustavo Dudamel’s Long Goodbye to L.A., and Long Hello to New York

• What Makes Superstar Conductor Gustavo Dudamel So Good?

  Photo Credit: James Estrin/ The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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The U.S. Open, the final tournament of the tennis season, is getting underway. The world’s best players are heading to the U.S.T.A. Billie Jean King National Tennis Center in Queens, N.Y., to battle it out for the chance to play a championship match at Arthur Ashe Stadium, the largest tennis arena in the world.

The players come freighted with great expectations, previous victories and defeats, aches and pains, personal dramas and professional rivalries, all of which they will carry with them out on the court when they play. Tennis is a game that exposes a lot about its players, which is one of the things that makes it so beloved around the world.

In this episode of the “Sunday Daily,” the host Natalie Kitroeff talks with Matthew Futterman, a senior tennis writer for The Athletic and the author of “The Cruelest Game: Chasing Greatness in Professional Tennis,” about this year’s crop of players. They’ll dig into the biggest rivalries and dramas brewing in the tournament ahead.

On Today’s Episode:

Matthew Futterman, a senior tennis writer for The Athletic, and the author of “The Cruelest Game: Chasing Greatness in Professional Tennis.”

Background Reading:

“U.S. Open Men’s Title Contenders: Jannik Sinner Cut, Carlos Alcaraz In and a U.S. Man’s Big Chance?”

Photo credit: Al Bello/Getty Images. 

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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Jesse and Emily Cole created the Savannah Bananas with a simple mission in mind: to make baseball as entertaining as possible. They introduced some innovations to America’s pastime, including twerking umpires, stilt-walking pitchers and TikTok-ready choreographed dance numbers. They tinkered with the rules of baseball, making a game that was shorter and faster, with plenty of opportunities for fan engagement. The result? A sports sensation. In the 10 years since its founding, the team has become one of the most popular sports organizations in the world, reaching tens of millions of fans online, with a waiting list of millions of others hoping to see a game in person.

For many, the Bananas are the ultimate sports success story, one that shows a path forward for teams and leagues concerned about fan retention in an era of shortened attention spans and endless entertainment options. But others take a less rosy view of the Bananas and their hyper-energetic brand of baseball, seeing them as an existential threat to a game that fans have loved for more than a hundred years.

On today’s show, our host Natalie Kitroeff talks with Jonathan Abrams, a Times reporter who covers culture news, about the Bananas phenomenon, and then heads to a Banana Ball game to see things for herself.

On Today's Episode

Jonathan Abrams is a reporter for The New York Times covering national culture news.

Background Reading

A Broadway Star Is the Savannah Bananas’ Phantom of the Bullpen

As Savannah Bananas pursue ‘a billion fans,’ are they real competition for MLB?

Photo: Al Bello/Getty Images

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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The New York Times Book Review recently released its list of the 50 best thrillers of the 21st century.

To put it together, the team asked almost 300 authors and other experts to vote for the best heart-thumping, page-turning, white knuckle reads published since 2000.

In this episode of “The Sunday Daily,” Natalie Kitroeff talks with the Times thrillers columnist, Sarah Lyall, about how the list came together. Then, Natalie speaks with one of the greatest thriller writers of this century — with four books featured on the list — the author Tana French.

On Today’s Episode:

Sarah Lyall writes a monthly thrillers column for The New York Times.

Tana French is the author of many best-selling books, including “In the Woods,” “The Searcher,” “The Likeness” and “The Witch Elm.”

Background Reading:

The 50 Best Thrillers of the 21st Century

Photo credit: Naila Ruechel

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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“Traditional” French parenting is built on a foundation of firm boundaries, strictness and punishment for misbehavior. Within these rules, children are also allowed freedom and autonomy, which some say results in both well-behaved children and stress-free parents.

In recent years, though, American-style “gentle” or “positive” parenting has gained a toehold in the country, unsettling decades of orthodoxy about the best way to raise a French child. It has prompted a fierce debate, with both sides accusing the other of being harmful.

In today’s episode, Madeleine Schwartz, a journalist who lives in Paris, talks with Michael Barbaro about the dispute over parenting styles in France and what it says about the eternal search for the “right” way to raise children.

On Today’s Episode:

Madeleine Schwartz is a journalist and editor in Paris.

Background Reading:

Did American-Style ‘Gentle Parenting’ Spoil French Children?

Art Credit: Illustration by Kimberly Elliott

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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For decades, the kitchen was the centerpiece of Yewande Komolafe’s life. She spent long hours there, first as a restaurant cook and later as a recipe developer. But though she loved the often-intense culinary world, she had to navigate it with certain limitations: She was born with sickle cell disease, an inherited blood disorder, which required her to carefully manage her working life. She did so successfully, becoming a celebrated cookbook author and food writer for The Times.

A medical crisis in December 2023 changed all of that. Komolafe ended up in a coma for six weeks, and after emerging learned that both her legs and her fingers would need to be amputated. In this episode of “The Sunday Daily,” Komolafe tells Rachel Abrams about what happened and how, after everything, she made her way back into the kitchen.

On Today’s Episode:

Yewande Komolafe is a cooking columnist for The New York Times.

Background Reading:

How Losing My Limbs Turned Me Into a Different Kind of Cook

The Chef Imagining a More Accessible World, One Meal at a Time

Photo credit: Lanna Apisukh.

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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When the Times reporter Ellen Barry’s father developed dementia after a fall, her family spent years trying to manage his erratic behavior and confusion. They struggled to convince him that he was home, he was safe, and he shouldn’t try to leave. The experience was exasperating and impossible to understand.

Today, Ellen tells the story of those years, and of how she discovered scientific research that helped explain everything her family had lived through — research that could potentially help to save precious memories from being lost forever.

On Today’s Episode

Ellen Barry, a mental health reporter for The New York Times

Background Reading

When My Father’s Canary Flew Away

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

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After a month of competition across North America and 103 matches, the 2026 World Cup is down to its final game. Spain and Argentina will meet this afternoon in a match expected to draw over one billion viewers around the world.

Spain is hoping its well-oiled machine and young star can bring it its second World Cup win. Argentina is looking to Lionel Messi, its longtime star, to secure victory in what could be his last game at the World Cup.

On today’s episode, Tariq Panja traces the road to this historic final and explains what to know before kickoff.

Tariq Panja, a global sports correspondent for The New York Times.

Background Reading

Why Everyone Cares About This World Cup

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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This Friday, “The Odyssey,” directed by Christopher Nolan, hits theaters. Even before the movie’s release, though, it’s proving to be a cultural event. Spirited discussions of Nolan’s cinematic interpretation of the epic poem already abound online, and they are likely to intensify after the public sees the film.

Why does a 12,000-line poem that is nearly 3,000 years old still feel resonant today? In this episode of “The Sunday Daily,” Natalie Kitroeff talks about the “Odyssey” with two writers who have produced some critically acclaimed and widely read modern interpretations of Greek classics: Emily Wilson, the first woman to translate the “Odyssey” from ancient Greek, and Madeline Miller, the author of the best-selling novels “Circe” and “Song of Achilles.”

On Today’s Episode:

Emily Wilson, a professor, classicist, author and translator of the “Odyssey”

Madeline Miller, the author of “Circe,” “Song of Achilles” and other books

Background Reading:

We’ll Help You Find Your Next Great Book. (Spoiler: It’s the ‘Odyssey.’)

The First Woman to Translate the ‘Odyssey’ Into English

Book Review: Turning Circe Into a Good Witch

Photo: Melinda Sue Gordon/Universal Pictures

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

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In celebration of the United States of America’s 250th birthday, we posed a simple question to some of our favorite critics, columnists and editors across the New York Times newsroom, people who write about books, movies, TV shows, science, sports, wellness and food. We asked: What’s the most American thing on your beat?

On today’s episode, we present their answers. Happy Birthday, America!

On Today’s Episode

Joshua Barone, culture editor, on “Rodeo,” composed by Aaron Copland

Vanessa Friedman, chief fashion critic, on workout gear

Erik Piepenburg, culture writer, on the movie “Get Out”

Kevin Roose, technology columnist, on Amazon Prime

Mekado Murphy, culture editor, on the roller coaster The Beast

James Poniewozik, chief television critic, on “Survivor”

Jancee Dunn, wellness writer, on productivity and sleep

Elena Bergeron, culture editor, on U.S. hockey

Jennifer Szalai, nonfiction book critic at the Book Review, on “Paved Paradise: How Parking Explains the World” by Henry Grabar

Bill Wasik, science editor, on liquid rocket fuel

Madison Malone Kircher, internet culture reporter, on Bama Rush

Kim Severson, food reporter, on M&M’s

MJ Franklin, editor at the Book Review, on “The Love Songs of W.E.B. Du Bois” by Honorée Fanonne Jeffers

Helen Shaw, chief theater critic, on “The Century Cycle” by August Wilson

Alissa Wilkinson, film critic, on the movie “There Will Be Blood”

Zachary Small, culture reporter, on Grand Theft Auto

Elisabeth Vincentelli, culture reporter, on demolition derbies

Jason Zinoman, critic at large, on the song “Political Science” by Randy Newman

Jason Farago, critic at large, on the Statue of Liberty

A.O. Scott, critic at large, on “Crossing Brooklyn Ferry” by Walt Whitman (featuring a reading by Jeffrey Wright)

Gia Kourlas, dance critic, on “Stars and Stripes” by George Balanchine and “Appalachian Spring” by Martha Graham

Jon Caramanica, pop music critic, on “Trump Trump Baby” by Forgiato Blow

Photo credit: The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

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In 1992, David Wood became El Paso’s most notorious convicted serial killer. He has been on death row ever since. More than 30 years later, his lawyers have just a few months to argue his innocence and stop his execution.

This is the first episode of a new five-part series from Serial Productions called “The Last 12 Weeks.” You can find the rest of the series by searching for “The Last 12 Weeks” on your favorite podcast player.

To find out about new shows from Serial Productions, and get a look behind the scenes, sign up for our newsletter at: https://www.nytimes.com/newsletters/serial

Have a story pitch, a tip, or feedback on our shows? Email us at [email protected]

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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The writer Tom Junod has spent a career crafting profiles for men’s magazines like GQ and Esquire, often of famously complicated men like Norman Mailer, Kevin Spacey and Tony Curtis.

But another man loomed behind Junod’s interest in these figures, informing his own sense of masculinity and manhood: his father, Lou.

Lou Junod was handsome, charismatic — a man who seemed like a celebrity, even though he wasn’t famous. He was also mysterious, a keeper of secrets that have continued to reverberate through his son’s life.

On today’s episode, Michael Barbaro talks with Junod about his new book, “In the Days of My Youth I Was Told What It Means to Be a Man,” which is part memoir and part detective story, as well as a powerful meditation on fatherhood.

On Today’s Episode:

Tom Junod is the author of “In the Days of My Youth I Was Told What It Means to Be a Man.”

Background Reading:

Tom Junod Would Like to Tell You About His Father

Art: Lou Junod with baby Tom in 1958.

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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Almost 50 years ago, Steven Spielberg directed “Close Encounters of the Third Kind,” the story of an average man who discovers that humanity may not be alone in the universe. Over the decades, Spielberg has directed several movies about what would happen if humanity made contact with aliens. Would the aliens be kind like the title character in “E.T. the Extra Terrestrial”? Would they be cruel like the murderous aliens of “War of the Worlds”? And regardless of what the aliens were like, would we humans be ready to receive them?

Spielberg returns to the question of whether we’re alone in the universe, and what it might mean if we’re not, with his new film “Disclosure Day.” Today, he sits down with Rachel Abrams, a host of “The Daily,” to talk about the film, and about what he has learned over five decades of making movies about aliens.

On Today’s Episode

Steven Spielberg, director of “Disclosure Day.”

Background Reading

‘Disclosure Day’ Review: Spielberg Plays His Greatest Cosmic Hits

What Steven Spielberg Taught Me About Fear, Catharsis, and Being Human

Photo credit: Paolo Pellegrin/Magnum, for The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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The 2026 World Cup is about to descend on North America — spread across three countries, with 48 teams, and 104 games, and with billions of fans across the globe tuning in to watch the biggest sporting event on the planet.

Today, Tariq Panja, global soccer correspondent for The New York Times, breaks down everything you need to know about this year’s tournament — the arrival of historic first-timers, like Curaçao, the aging legends like Lionel Messi and Cristiano Ronaldo, who are making their final appearances, and the eye-watering ticket prices that are driving fans to financial extremes just to book a seat.

On Today’s Episode:

Tariq Panja, is a global sports correspondent for the New York Times.

Background Reading:

The World Cup’s Forgotten Team

World Cup or Bust: Going Into Debt, Sleeping 10 to a Room and Layovers for Days

Photo credit: Hannah Mckay/Reuters.

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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Olivia Rodrigo sat down with Joe and Jon for her first in-depth conversation about her new album, “you seem pretty sad for a girl so in love,” out June 12. She discussed the many ways her creative process intersects with the extracurricular noise of pop superstardom, whether its managing relationship drama; being targeted for the way she dresses, accusations of pilfering songwriting gestures from Taylor Swift, her onetime idol, or her willingness to speak up about political and social causes in a way many of her peers won’t.

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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Andy Isaacson is a writer and photographer. His work for The Times has taken him to every corner of the world, and he has transmitted what he’s experienced through his images.

But recently, Isaacson took a trip unlike any he’d taken before. Not because of where he traveled, but because of how he traveled.

Paired with a set of unlikely travel companions, he put down his camera and experienced the word through touch, smell and sound.

On today’s episode of “The Sunday Daily,” Isaacson talks with Host Michael Barbaro about a trip that forever changed the way he travels.

On today's episode:

Andy Isaacson, a contributing writer and photographer for The New York Times.

Background Reading

Sites Unseen: What Travel Is Like for Those Who Can’t See

Photo credit: Andy Isaacson

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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For Mother’s Day, we asked you about your “Mom mantras”: the oft-repeated mottos or go-to expressions that your moms have said over the years. In partnership with the Well desk, we received thousands of submissions, full of sayings that ranged from wise to funny to profound.

In today’s episode of “The Sunday Daily,” we feature your “Mom mantras,” and the host Rachel Abrams calls her mother to ask about hers.

On Today’s Episode:

• Readers of The New York Times

Background Reading:

The Wisdom of Our Mothers

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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Roughly a year ago, a team at The New York Times Magazine set about tackling a nearly impossible task: creating a list of the greatest living American songwriters. But how to take the tens of thousands of songwriters working in this country and narrow them down to a digestible list? The answer involved thousands of voting ballots, hundreds of music industry insiders and a series of closed-door meetings among a small group of music experts. The result, The Times’s list of the 30 greatest living American songwriters, was published this week.

Today, Michael Barbaro talks with Sasha Weiss, a deputy editor of The Times Magazine, who oversaw the project, as well as Joe Coscarelli and Jody Rosen, two members of the cadre of critics assigned with compiling the final list. They discuss the list-making process, what defines a great songwriter and why Billy Joel didn’t make the final cut.

We also hear from some of the songwriters featured on the list, including Taylor Swift, Nile Rodgers and the songwriting team of Brandy Clark, Shane McAnally and Josh Osborne.

On Today's Episode:

Sasha Weiss is a deputy editor of The New York Times Magazine.

Joe Coscarelli is a culture reporter for The Times. He is a co-host of “Popcast,” a producer of the “Song of the Week” video series and the author of “Rap Capital: An Atlanta Story.”

Jody Rosen is a contributing writer for the magazine and the author of “Two Wheels Good: The History and Mystery of the Bicycle.”

Background Reading:

The 30 Greatest Living American Songwriters

Cast Your Vote for the Greatest Living American Songwriters

Photo credit: Stefan Ruiz for The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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With war, political wrangling and price hikes jockeying for headlines, it’s a rare thing to sit for an hour with a large group of strangers and focus on the small pleasures in life. But that’s what the show “Every Brilliant Thing” is all about.

Since 2013, Duncan Macmillan’s audience-participation-heavy play has been performed in dozens of languages in hundreds of locations across the globe. It revolves around a central character who writes a list of all the good things in life for a depressed parent. And while it tackles dark subject matter — including frequent mentions of a loved one’s suicide — it may be one of the funniest shows about depression, ever.

In this episode of “The Sunday Daily,” Michael Barbaro talks with Daniel Radcliffe, who currently stars in a Broadway production of the show, and Mariska Hargitay, who will step into the role in a few weeks. We’ll also hear from the playwright and several other actors who have performed the play on stages, in living rooms, on basketball courts and aircraft carriers all over the world.

On today's episode:

Daniel Radcliffe
Mariska Hargitay
Duncan Macmillan
Candunn Jennette
Greg Dragas
Mugambi Nthiga
Erika de la Vega
Jung Sae-Byul
Mohsina Akhter
Tommy Schoffler
Nanda Mohammad

Background reading:

‘Every Brilliant Thing,’ Now Starring Daniel Radcliffe and You

Daniel Radcliffe Makes ‘Every Brilliant Thing’ Shine

Daniel Radcliffe Wanted a Break From Broadway. Then He Read This Play.

Photo credit: Sara Krulwich/The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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The reality show “Love on the Spectrum” — which just released its fourth season — has become a big hit; it’s currently one of the most watched shows on Netflix in the United States. The show follows autistic adults as they search for love.

“Love on the Spectrum” is unlike much of reality television — a genre known to subject its cast members to drama and humiliation for entertainment’s sake. Instead, the show captures a dating world that has more heartwarming moments than histrionics, and is sensitive and nuanced in its portrayal of neurodivergent people.

On today’s episode of “The Sunday Daily,” Rachel Abrams talks with Anna Peele, a contributing writer for The New York Times, about the show’s origin story and why it has resonated with so many people.

On Today’s Episode:

Anna Peele is a contributing writer to The New York Times Magazine and the author of the forthcoming book “Enter the Villa,” about the reality show “Love Island.”

Photo credit: Ryan Pfluger for The New York Times.

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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