Lost Highway - S15 E118
Notas do episódio
We hope you don’t get lost on the highway to this episode because we’re taking a detour into the obtuse, dreamlike world of 90s cinema with David Lynch’s 1997 head-scratcher, Lost Highway.
As the fourth entry in our Liminal Spaces season, we’re trying to figure out if we’re on a road to nowhere or just stuck in a psychogenic fugue state. To help us navigate this noir nightmare. We’ve bought back Jamie from the Final Transmission podcast! You might remember Jamie from his debut in our Season 4 episode about The Blair Witch Project, and he’s returned to help us solve a movie that even the director refuses to explain.
We tackle the ethereal dualities of Patricia Arquette, wonder why Bill Pullman is so committed to strobe jazz sax solos, and witness the final, heartbreaking performance of Richard Pryor. We also dive into the horror of the Mystery Man played by Robert Blake, discuss the 90s movies trend of circular plagiarism, and finally address why Balthazar Getty has been a rising star since the Filofax era. Plus, Dan reveals his theory that the script was written by Barry Gibb and we explore the cinema of industrial soundtracks featuring Rammstein, Marilyn Manson and David Bowie.
What to expect from the episode:
- We debate whether Fred Madison is the alpha or just a gut with a very overactive imagination.
- Jamie explains why this is his favourite Lynch film while Dan struggles to find any evidence of someone being kicked from the head or jumping onto a helicopter.
- We explore the theory that the entire movie was subconsciously inspired by the O.J. Simpson trial.
- Discussion around David Lynch’s big hat and megaphone approach to on-set social distancing.
- We investigate the vampiric makeup choices and the quintessentially noir lighting of Peter Deming.
This season has eight episodes, concluding July 6th
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