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Blindboy, Part 1: Unmasking the Evil Elite Cabal

March 6, 2026 · 2 h 21 min

Show notes

In this episode, Matt and Chris turn their attention to Blindboy Boatclub, the Irish podcaster, satirist, and former member of the Rubberbandits. Blindboy is recognisable for his plastic-bag headwear, which has transitioned from a comedy prop into something a bit deeper and more philosophical. His podcast blends ASMR-style delivery, stream-of-consciousness storytelling, and cultural and political commentary, drifting between reflections on mental health, colonialism, Irish history, and the origins of the month of February. It is a distinctive format: whispered monologues over gentle piano where poetic association, personal reflection, and narrative intuition take precedence. For many listeners, that unique mixture of introspection, politics, and storytelling is exactly the appeal. As you might imagine, it is not entirely our bag, but to each their own.

However, when Blindboy turns his attention to the recent Epstein document releases, the narrative becomes considerably darker and drifts into some familiar gurusphere territory. Blindboy describes this as a “phone call episode”, an unscripted stream-of-consciousness riff with minimal fact-checking, and then proceeds to expound for over an hour on a sprawling narrative connecting elite conspiracies to the hidden psychological forces shaping modern politics. Along the way we encounter a parade of lurid spectacles, including necrophilic Hell’s Angels, secret society members masturbating in coffins, murdered women buried on Trump’s golf course, potentially cannibalistic elites, and healthcare CEOs who delight in causing pain and misery. We also discover the crucial, if previously underappreciated, role that Jeffrey Epstein apparently played in the creation of the modern culture wars.

As usual, the goal is not to adjudicate the politics involved but to examine the rhetorical and epistemic patterns at play. What happens when a charismatic storyteller combines emotionally compelling narratives with speculative leaps? How do strategic disclaimers like “I’m not saying it’s true” interact with extended conjecture? And why do some conspiracy frameworks feel persuasive when wrapped in an appealing ideological package? Matt and Chris listen through Blindboy’s riff to see how well the arguments hold up once the plinky-plonk piano fades and the claims are examined in the cold light of day.

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