Night Of The Demon
Show notes
Stone circles, satanic runes and one of the greatest horror performances in British cinema. Andy, Dave and David are joined by legendary horror author Ramsey Campbell to dig into Night of the Demon, a film that helped shape folk horror decades before the genre even had a label. The demon gets debated, the atmosphere gets worshipped, and scepticism does not fare especially well.
Full DescriptionThis very special FolknHell episode with the legendary horror writer Ramsey Campbell joining the boys to talk about his all time favourite horror film, Jacques Tourneur’s Night of the Demon. Before getting to the film itself, the conversation detours through folk horror’s literary roots, The Hungry Moon, Arthur Machen, Lovecraft, Penda’s Fen, and why British landscapes still feel uniquely suited to supernatural dread.
Once the film begins, things get gloriously obsessive. The hosts get stuck into the film’s extraordinary atmosphere, Ted Scaife’s cinematography, Ken Adam’s production design, and Neil McGinnis’ astonishing performance as Julian Karswell, a charming occultist who might genuinely have summoned something infernal. There is plenty of debate around the decision to show the demon so early, with David arguing it weakens Holden’s sceptical arc while Dave and Ramsey defend the dramatic irony it creates.
The folk horror question turns out to be surprisingly complicated. By the FolknHell criteria, Night of the Demon only partially fits, yet everybody agrees it absolutely belongs in the canon. Ancient belief systems, witchcraft, isolated rituals, haunted landscapes and old forces bleeding into modern Britain are all over this thing. It may not sit comfortably inside the so called “Unholy Trinity”, but nobody here is arguing against its place at the table.
The final scores land high. Dave and Andy both land on 9, while David comes in as the resident harsher marker with a 7.
FolknHell Score
25 out of 30
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Folknhell is the folk horror podcast where Andy Davidson, Dave Houghton and David Hall dig into strange cinema, argue about whether it really counts as folk horror, and score every film out of 30.
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