Wolverine’s Back And The Internet’s Mad
Show notes
Somebody finally said the quiet part out loud: modern AAA games can feel boring, not because the teams aren’t talented, but because the money and expectations push everyone toward safe choices. We get into that claim and what it means for game design, innovation, and why so many big releases end up feeling like variations on the same template, even when they look unbelievable in 4K.
Before the news, we talk real playtime. RGT is deep into Red Dead Redemption on the Switch 2 and still amazed that a once “big console” Rockstar game now feels natural as a handheld experience. George checks back in on Star Wars Outlaws and then dives into Crimson Desert, which keeps throwing new mechanics at you every minute, from chopping trees to learning combat moves through experience. And then we hit the hot topic: Insomniac’s Wolverine. We push past the noise, judge the game on its own merits, and explain why it feels like a modern take on that PS2 and PS3 era of tight, action-forward, story-driven brawlers, even if a couple of sections don’t fully land.
On the news side, we react to Bruce Straley’s comments about risk-averse AAA development, unpack a rumor that Media Molecule may be building a social simulation inspired by Animal Crossing and Harvest Moon, and then go deep on Xbox disc-to-digital. It’s a fascinating case study in how a decision made years ago can shape digital ownership today, and why library migration and game preservation are about to matter more than ever.
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A single item of yearly limited art merch
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