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10. 从脱口秀到技能五子棋,讨好大众容易,冒犯自己很难

October 13, 2025 · 53 min

Show notes

刚从脱口秀的夏天打卡下班,互联网又被技能五子棋掀翻。我们抱怨喜剧综艺让人疲惫,又心甘情愿投入下一档节目的怀抱。我们需要笑声,需要快乐,但我们想从喜剧中获得的,是否只有快乐?
“好笑”是评价一个喜剧表演的最高标准吗?我想喜剧的内核不仅停留在好笑与否,更在于是否“真”——真实,真诚,真心,真相。
真是敢于自我暴露,坦承自己的古怪与脆弱;真是有勇气自我冒犯,直面那部分不愿看见或不能看见的自我。我们常常说脱口秀有关冒犯,而冒犯只是真的一种表现形式。所有创作都会面临真诚与讨好的两难。讨好自己简单,讨好观众也不难;冒犯观众有风险,冒犯自己才最难。
归根结底,冒犯不是为了伤害,而是为了理解,理解与我相同的人,与我不同的人,理解我们自己。观看一场喜剧时我们想要的是快乐,但快乐的背后是一种连接,一种动容,是自我的看见与被看见。
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